overshot patterns in stock

By Norma Smayda, Gretchen White, Jody Brown, and Katharine Schelleng. These four weavers have assembled the sample collection of miniature overshot patterns for four harness looms created in the early 20th century by Bertha Gray Hayes. The book contains color reproductions and computer-generated drawdowns for 92 designs. These differ from traditional overshot designs in that they are often based on name drafts and many are not woven "as drawn in", giving many of them a dynamic, asymmetrical style.

This book features the original sample collection and handwritten drafts of the talented, early 20th century weaver, Bertha Gray Hayes of Providence, Rhode Island. She designed and wove miniature overshot patterns for four-harness looms that are creative and unique. The book contains color reproductions of 72 original sample cards and 20 recently discovered patterns, many shown with a picture of the woven sample, and each with computer-generated drawdowns and drafting patterns. Her designs are unique in their asymmetry and personal in her use of name drafting to create the designs.Bertha Hayes attended the first nine National Conferences of American Handweavers (1938-1946). She learned to weave by herself through the Shuttle-Craft home course and was a charter member of the Shuttle-Craft Guild, and authored articles on weaving.

This book features the original sample collection and handwritten drafts of the talented, early 20th century weaver, Bertha Gray Hayes of Providence, Rhode Island. She designed and wove miniature overshot patterns for four-harness looms that are creative and unique. The book contains color reproductions of 72 original sample cards and 20 recently discovered patterns, many shown with a picture of the woven sample, and each with computer-generated drawdowns and drafting patterns. Her designs are unique in their asymmetry and personal in her use of name drafting to create the designs. Bertha Hayes attended the first nine National Conferences of American Handweavers (1938-1946). She learned to weave by herself through the Shuttle-Craft home course and was a charter member of the Shuttle-Craft Guild, and authored articles on weaving.

You"ve probably seen Sarah Jackson"s designs in many Handwoven magazines!  She"s famous for her innovative use of color and design.  LoftyFiber is pleased to offer her PDF pattern and associated WIF files as a digital download.  We also offer yarn kits to complete the projects.  You"ll find her patterns  are not ordinary; They contain extensive instructions with everything you need to complete the project successfully.

These gorgeous towels were inspired by "Jitterbug", a Bertha Gray Hayes overshot design.  Sarah created aTurned Taqueté draft by interleaving an overshot threading with a second threading on opposites (method inspired by an article by Bonnie Inouye). Converting the draft from overshot to Turned Taqueté not only solved the problem with weft floats that can catch or snag, but the parallel threading resulted in a two-color warp which expanded the possibilities of combining a wide variety of weft colors.

Centerpiece sized handwoven tabletop runner crafted by Kate Kilgus, Harrisville, New Hampshire. Overshot weaving in royal blue and white cottons. This handcrafted textile can be used on the dining table, buffet, bureau, or coffee table. A two shuttle weave, overshot allows for the creation of curves

Weave structures often have specific threading and treadling patterns that are unique to that particular weave structure and not shared with others. This book takes you out of the traditional method of weaving overshot patterns by using different treadling techniques. This will include weaving overshot patterns such as Summer/Winter, Italian manner, starburst, crackle, and petit point just to name a few. The basic image is maintained in each example but the design takes on a whole new look!

Each chapter walks you through the setup for each method and includes projects with complete drafts and instructions so it’s easy to start weaving and watch the magic happen! Try the patterns for scarves, table runners, shawls, pillows, and even some upholstered pieces. Once you"ve tried a few projects, you"ll be able to apply what you"ve learned to any piece you desire!

Author of the popular Overshot Simply and Shadow Weave Simply now shares her explorations of overshot weaving structures. Her teaching style is to break down the weave structure into its basic parts so that it is easy to understand, and then teach you how the parts work together to create the weave structure so that you can use any pattern or create your own.

Weave structures often have specific threading and treadling patterns that are unique to that particular weave structure and not shared with others. This book takes you out of the traditional method of weaving overshot patterns by using different treadling techniques. This will include weaving overshot patterns as Summer/Winter, Italian manner, starburst, crackle, and petit point just to name a few. The basic image is maintained in each example but the design takes on a whole new look!

Each chapter walks you through the setup for each method and includes projects with complete drafts and instructions so it’s easy to start weaving and watch the magic happen! Try the patterns for scarves, table runners, shawls, pillows and even some upholstered pieces. Once you"ve tried a few projects, you"ll be able to apply what you"ve learned to any piece you desire!

Two-shuttle weaves create wonderful patterns. Among my favorites are overshot, monk’s belt, summer and winter, and shadow weave. But there are limitations!

Patterns typically run from selvedge to selvedge. And even though you can break up the pattern lengthwise by weaving stripes of plain weave, you may wind up with “humped” pattern sections that are wider than the plainweave sections, depending on the size and density of the pattern weft.

The pattern sections can be interspersed with sections of plain weave without worrying about distorted selvedges. You can precisely plan the amount of supplemental pattern warp needed, eliminating the fear of running out of yarn. Busy patterns can be broken up to highlight the best sections, and far less pattern yarn is needed to weave only sections of pattern, which means a smaller investment in expensive yarns.

This runner uses a section of pattern from an overshot name draft I created called “Tis the Season.” The name draft is a traditional overshot weaving pattern. I then turned the draft and separated the pattern sections with plain weave.

Over three years ago, when my David Louet floor loom was still somewhat new to me, I wrotethis post on overshot. If you read it, you will discover that my initial relationship with overshot was not a very positive one.

The happy ending to the initial overshot sob story is that I can weave overshot now. Quite well, in fact! And I also teach it. And I happen to love it, very, very much. Don’t you love a happy ending?

I don’t think there was any particular moment where I thought to myself “I can weave overshot now!” I didn’t even weave any overshot for quite some time after that initial attempt. But slowly it tempted me back, and we started over. It was just a matter of sticking with it, employing some specific techniques and practice, practice, practice until it feels like an old friend.

My love of overshot has only increased with my more recent discovery of American Coverlets. I loved the look of the coverlets and the history behind them before I realised that so many of them were woven in the wonderfully humble 4 shaft overshot.

Now that I have quite a lot of experience weaving overshot, I want to share my best overshot tips with you in hope that you too will fall in love with this wonderful weave structure.

To weave overshot you need a warp yarn, a tabby yarn and a pattern weft yarn. Using the same yarn for warp and tabby works perfectly. For the pattern weft, I like to use a yarn that is twice the size of the tabby/warp yarn. I have experimented with using doubled strands of tabby/warp yarn in a contrasting colour, but it just doesn’t look as good. A thicker pattern yarn is the way to go.

What will the size of your item be? A miniature overshot pattern may get lost in a blanket, but may be perfect for a scarf. As a general rule, a good way to estimate the size of one repeat of your pattern just by looking at the draft is to see how many repeats are in one threading repeat. Also consider the thickness of your yarns and the sett you intend to weave.

This is a non negotiable for overshot if you want neat edges and less headaches! You get used to using floating selvedges very quickly, so don’t stress if you have no experience with them.

There are 6 treadles needed for overshot, even though you weave on 4 shafts. The two extra treadles are for the tabby weave. I always set up my pattern treadles in the centre of the loom – two on the left and two on the right. Then I set up a “left” tabby and a “right” tabby treadle. To do this on my 8 shaft loom I leave a gap between the pattern treadles and the tabby treadles so that my feet can “see” and differentiate between a pattern and tabby treadle.

I like to advance little and often. You will find your own preference or “sweet spot” for weaving, but I find that with overshot I advance a lot more frequently at a much smaller amount than I do usually.

An example of this is that I wove an overshot sampler right before Is started my main project (the throw). It was a narrow warp (around 8″) and a different overshot threading and treadling than I’m using for the project.

I personally do not use a temple. Some weavers will say they won’t weave without one. I’ve tried using a temple on many of my projects, particularly if I’m getting broken edge warp threads (signs of tension problems and too much draw in). But I will avoid using one wherever I can get away with it, and I don’t use one for weaving overshot.

Crazyshot - creative overshot weaving - introduces anyone who uses a rigid heddle loom to a whole world of creative weaving. Using just one heddle and one pick-up stick, you’ll explore color, design, and texture, taking your weaving to the next level.

Complete step-by-step instructions are included for weaving all 14 of the designs in this book. Also provided are how-tos for the single heddle overshot technique, reading charts for the rigid heddle loom, and finishing techniques, along with lots of tips and tricks for successful and

Hello, friends. I have really enjoyed watching the “orange peel” overshot design take shape on the loom this week. A four shaft design, this pattern entails a lengthy pattern repeat and threading sequence. However, I’ve found that taking the pattern in increments and limiting distractions at the loom (true confession: trying to weave this pattern while listening to Philip Glass at the same time was a pretty feeble idea) will allow you to generate a very special piece for your home or for a friend. Patience is key. (But if you’re a weaver, you already know that).

A few disclaimers: a basic understanding of how overshot works is required. For example, I did not include all of the tabby picks that are required throughout the cloth. You’ll need to remember to tie up your loom for tabby as well, as only the overshot tie up is included in my draft.

Update 2022: this post has been accessed by readers over 2,400 timessince I made it available. If you have benefitted from this weaving draft and would like to make a small contribution to support my efforts as an independent artisan, it would be most appreciated. There is a Paypal Tip Jar at the end of the instructions here.  I also invite you to peruse my print-at-home weaving patterns available for purchase here via Paypal or via instant download in my Etsy shop. Thank you!