what is overshot brands

When you want to performance, you need adequate equipment. OVERSHOT™ designs and produces equipment that maximizes performance in Streetlifting movements: Muscle Ups, Pull ups, Dips and Squat.

The BettyBelt is a key tool for developing your strength in your resistance training movements. Whether performance pull-ups, muscle ups, dips or even the beltsquat : the belt allows you to safely lift more weight.

- On average, followers of this program have progressed by :+11lbs in muscle ups, +33lbs in pull-ups, +48.5lbs in dips and +60lbs in squats .- Fully customizable based on your level.Why choose OVERSHOT?

Overshot is a magical structure. The first time you weave it you can hardly believe the cloth that grows on your loom. Traditionally used to weave bed coverings, overshot has many beautiful applications in today"s world, from useful household textiles to breathtaking works of art. This versatile weave is subject to endless variations. Here are a few of our favorite tips and a few truly spectacular projects, too! If you are inspired, come visit us and learn from a master weaver, Joanne Hall. See details below about her workshop.

A slouchy bag by FiberMusings on Weavolution pairs leftover BFL singles with sturdy Cottolin to create a fashionable yet functional multi-colored bag. The draft is a design from Ann Weaver"s Handweavers Pattern Dictionary, and it"s a great way to integrate Overshot techniques while making an eye-catching accessory!

Another project that caught our eye recently was a shower curtain shared by GailR@30 shared on Weaving Today - it"s nothing short of amazing (click here to see for yourself)! Consisting of thirteen different overshot pattern threadings woven in thirteen different treadlings, 169 different design effects are created based on designs from Osma Gallinger Tod"s book The Joy of Handweaving. As Gail noted on her project page, a great way to make each design stand out is to separate them with twill bands (even though it might mean a little more work in the process!)

Or, you may choose to elevate your weaving like the work of art it most certainly is, as Evaweave did with her Overshot Study pieces. These two miniature silk rugs look lovely in a frame, don"t you think? The overshot pattern was adapted from Overshot Weaving by Ellen Lewis Saltzman, complementing one another perfectly.

Think overshot is too difficult to try? Deb Essen thinks otherwise! Fiber artist, designer, and teacher, Deb is a passionate weaver who specializes in using overshot name drafts to create "secret messages" in cloth.

On her website, she explains: "Overshot is a weave structure and a draft is the weaver"s guide to creating patterns in cloth. Overshot name drafts assign the letters of a name or phrase to the shafts on a loom, creating a pattern that is unique. The one-of-a-kind patterns become a secret hidden message in the cloth and only those knowing the secret can break the code."

Deb lets you in on the secret with her clever kits, each with a hidden message. We"re particularly fond of her That"s Doable kit, which features Mountain Colors hand-painted yarns and, as the name would imply, is our first choice for those new to overshot weaving.

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In the video, I mention learning how to weave Krokbragd. If you are interested in learning about this weaving technique, I encourage you to check out our course at the School of SweetGeorgia, Weaving Krokbragd, taught by Debby Greenlaw.

The overshot weaving project shown is woven on a 16″ Ashford Table Loom 8 shaft, The yarns used are Ashford 100% mercerised cotton in 10/2 and 5/2. (We don’t have this yarn currently listed on our site, but we’re able to order it in for you. Send us an email at: info@sweetgeorgiayarns.com!) The pattern is Overshot Sampler from the book Next Steps in Weaving by Pattie Graver

Congratulations to Katrina at Crafty Jaks as she just hit publish on the Crafty Jaks – The Inquisitive Crafter YouTube channel! If you love spinning, dyeing and wool, please go check it out and subscribe.

One of the great things about having been a blogger for 12 years (did I actually just admit that?!) is that you occasionally get to look back and see how very far you’ve come.

Over three years ago, when my David Louet floor loom was still somewhat new to me, I wrotethis post on overshot. If you read it, you will discover that my initial relationship with overshot was not a very positive one.

Back then, I was a little harder on myself as a learning weaver. By now, I’ve realised that weaving, just like life, is a journey that has a beginning but no end. Back then, I thought that my ultimate goal was to be a “master weaver”.

Honestly, I don’t even really know what that means but it no longer matters to me. I just want to be the best weaver I can be, but even more importantly, to continue to be fulfilled, challenged and rewarded by doing it.

The happy ending to the initial overshot sob story is that I can weave overshot now. Quite well, in fact! And I also teach it. And I happen to love it, very, very much. Don’t you love a happy ending?

I don’t think there was any particular moment where I thought to myself “I can weave overshot now!” I didn’t even weave any overshot for quite some time after that initial attempt. But slowly it tempted me back, and we started over. It was just a matter of sticking with it, employing some specific techniques and practice, practice, practice until it feels like an old friend.

My love of overshot has only increased with my more recent discovery of American Coverlets. I loved the look of the coverlets and the history behind them before I realised that so many of them were woven in the wonderfully humble 4 shaft overshot.

I’ve put a lot of research time into coverlets this year and have made it a big weaving goal of mine to weave my first coverlet, which is quite an undertaking, but I relish the thought.

Now that I have quite a lot of experience weaving overshot, I want to share my best overshot tips with you in hope that you too will fall in love with this wonderful weave structure.

I know, I know, sampling takes time and yarn, it’s true. But it teaches you so, so much. It can also be more economical, as you can test your yarns out for suitability before committing to a larger project. Trust me, sampling is so well worth the time!

To weave overshot you need a warp yarn, a tabby yarn and a pattern weft yarn. Using the same yarn for warp and tabby works perfectly. For the pattern weft, I like to use a yarn that is twice the size of the tabby/warp yarn. I have experimented with using doubled strands of tabby/warp yarn in a contrasting colour, but it just doesn’t look as good. A thicker pattern yarn is the way to go.

What will the size of your item be? A miniature overshot pattern may get lost in a blanket, but may be perfect for a scarf. As a general rule, a good way to estimate the size of one repeat of your pattern just by looking at the draft is to see how many repeats are in one threading repeat. Also consider the thickness of your yarns and the sett you intend to weave.

Just to give you an idea, my current project is woven at 20 ends per inch with 8/2 cotton for warp and tabby and fingering weight wool for the pattern weft. The weaving draft has 50 threads in one threading repeat. My design repeats on the loom are around 2.5″ wide and just under 5″ long, which is a great size for the 30″ x 99″ throw I’m weaving.

This is a non negotiable for overshot if you want neat edges and less headaches! You get used to using floating selvedges very quickly, so don’t stress if you have no experience with them.

This is another selvedges tip. I’ve experimented with crossing the two weft yarns at the selvedge to see whether it gives a neater edge, but it doesn’t, at least for me. So, instead of twisting the two wefts at each selvedge when throwing a new pick, I just let them follow one another sequentially and my edges are much neater that way.

Besides the thickness of the pattern weft yarn, you will also want to consider what kind of bloom it may have after wet finishing. For example, I know that my fingering weight wool blooms beautifully, whereas a cotton of the same size would not bloom in the same way. I very much like the contrast of the 8/2 cotton background with the plump wool pattern weft.

I’m going to sound like a broken record, but once again, a sample will show you everything you need to know about how your yarn will behave as a finished piece.

I’m often surprised by the potential of yarns to leach dye in the wet finish process. I’ve had certain yarns that I’ve used frequently that will leach dye sometimes and not others.

This is a particular problem if your colours and white on red or navy on white – you want to preserve that white and not have it come out of the wash as a pink or light blue!

The best way to avoid this is through vigilance, especially in the first 10-15 minutes of your woven piece making contact with water. If you see dye beginning to run, take it out of the warm wash and rinse in cold water until the water runs clear. Place back in the warm water and maintain your watch on it. Repeat the rinsing process if needed.

There are 6 treadles needed for overshot, even though you weave on 4 shafts. The two extra treadles are for the tabby weave. I always set up my pattern treadles in the centre of the loom – two on the left and two on the right. Then I set up a “left” tabby and a “right” tabby treadle. To do this on my 8 shaft loom I leave a gap between the pattern treadles and the tabby treadles so that my feet can “see” and differentiate between a pattern and tabby treadle.

I like to advance little and often. You will find your own preference or “sweet spot” for weaving, but I find that with overshot I advance a lot more frequently at a much smaller amount than I do usually.

The firmness of beat will depend on a few things. Your chosen yarns, the weave structure, the width of the project and the tension your warp is under are all important considerations. I let the project dictate.

An example of this is that I wove an overshot sampler right before Is started my main project (the throw). It was a narrow warp (around 8″) and a different overshot threading and treadling than I’m using for the project.

But for my throw project, I am beating harder and sometimes having to beat twice. Because of the width of the project, I need to be careful that I’m beating evenly, and that is easier to do if I’m beating more firmly.

I personally do not use a temple. Some weavers will say they won’t weave without one. I’ve tried using a temple on many of my projects, particularly if I’m getting broken edge warp threads (signs of tension problems and too much draw in). But I will avoid using one wherever I can get away with it, and I don’t use one for weaving overshot.

I find that if I’m careful with weft tension and warping evenly, I do not get excessive draw in. It is something I’m constantly aware of while weaving and remind myself of tip 4 so that my weft picks are not pulling in at the edges.

Momentum Group is committed to creating design solutions tailored toward the evolving needs of the contract textile market. The four distinct textile brands composing the Momentum Group - Momentum Textiles, Sina Pearson, LoomSource and Textus - provide a comprehensive selection of products for commercial interiors.

The information contained in this site was provided by the producer and/or certifier and we endeavor to keep the information up to date and correct. ecomedes make no representations or warranties of any kind, express or implied, about the completeness or availability of the product information on the site for any purpose. We encourage users to contact the producer or certifier directly for additional details. It’s important to note that no products individually or collectively, can guarantee a specific number of points for LEED, WELL, GreenGlobes or LBC certifications.

Rating SystemFederal GuidelinesLEED®v4 BD+C: CSLEED®v4 BD+C: Data CentersLEED®v4 BD+C: HealthcareLEED®v4 BD+C: HospitalityLEED®v4 BD+C: NCLEED®v4 BD+C: RetailLEED®v4 BD+C: SchoolsLEED®v4 BD+C: WarehousesLEED®v4 BD+C: HomesLEED®v4 ID+C: CILEED®v4 ID+C: HospitalityLEED®v4 ID+C: RetailLEED®v4 O+M: Data CentersLEED®v4 O+M: EBLEED®v4 O+M: HospitalityLEED®v4 O+M: RetailLEED®v4 O+M: SchoolsLEED®v4 O+M: WarehousesLEED®v4.1 BD+C: CSLEED®v4.1 BD+C: Data CentersLEED®v4.1 BD+C: HealthcareLEED®v4.1 BD+C: HospitalityLEED®v4.1 BD+C: NCLEED®v4.1 BD+C: RetailLEED®v4.1 BD+C: SchoolsLEED®v4.1 BD+C: WarehousesLEED®v4.1 ID+C: CILEED®v4.1 ID+C: HospitalityLEED®v4.1 ID+C: RetailLEED®v4.1 O+M: EBLEED®v4.1 O+M: InteriorsLEED CI 2009LEED CS 2009LEED EBOM 2009LEED Healthcare v2009LEED NC 2009LEED Retail-CI v2009LEED Retail-NC v2009LEED Schools 2009WELL v1™ Core and ShellWELL v1™ New and Existing BuildingsWELL v1™ New and Existing InteriorsWELL Commercial Kitchen PilotWELL Restaurant PilotWELL v2™ Building Standard™WELL v2™ pilot Building Standard™Living Building Challenge v3.0Living Building Challenge v3.1Living Building Challenge v4.0Green Globes® - New ConstructionGreen Globes® - Sustainable InteriorsUniversity of California

Crazyshot - creative overshot weaving - introduces anyone who uses a rigid heddle loom to a whole world of creative weaving. Using just one heddle and one pick-up stick, you’ll explore color, design, and texture, taking your weaving to the next level. Complete step-by-step instructions are included for weaving all 14 designs in this book. Also provided are how-tos for the single heddle overshot technique, reading charts for the rigid heddle loom, and finishing techniques, along with lots of tips and tricks for successful and satisfying results. Complex patterning is easier than it looks with this simple charted technique. All you need are basic rigid heddle warping and weaving skills to start your next weaving adventure!

With one heddle and one stick, Myra Wood explores the art of working with ground and pattern wefts in this creative approach to rigid-heddle weaving. Known for her for colorwork across many mediums, Myra beautifully illustrates that complex does not have to be complicated. --Liz Gipson, Author ofA Weaver"s Guide to Yarnand other books for rigid-heddle weaving and the host of the Yarnworker School

ERUI has been deeply engaged in the field of oil and gas energy for many years, integrating a large number of high-quality supply channels. Our products are comprehensive and the price advantage is obvious.

The time depends on the MOQ of the order. The delivery time for parts is generally 1-3 days, and equipment is 7-30 days. In addition, contact us to get the full time of the order.

MFF Oilfield is a worldwide brand providing the best oilfield tools and equipment. Holding stock in multiple locations worldwide including in USA, Singapore, UAE, Indonesia and in multiple other locations worldwide.

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desertcart is the best online shopping platform in the Jamaica where you can choose to buy from the largest selection of Overshot products. desertcart Jamaica delivers the most unique and largest selection from around the world especially from the US, UK, India at a reasonable price and fastest delivery time. If you can"t find a particular Overshot product on desertcart, we pay you!

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Overshot is known as a coverlet structure, but it’s also ideal for placemats, runners, blankets, fashion accessories, table linens, rugs, and much more. Just about anything you want to weave can be done in overshot.

Our class project is a series of coordinated placemats and table runners, woven in inexpensive, easy to get materials you may already have in your stash. You’ll choose from three different threadings composed of classic overshot motifs, then treadle them in star fashion, rose fashion, and many other ways.

Don’t feel like weaving placemats, runners, OR samples, or don’t have a loom available? No problem! You can still participate in the class without weaving at all. The lessons, videos, Q&As, and pen and paper exercises will help cement your understanding of overshot even if you don’t take it to the loom right away.

Don’t have that kind of loom? No worries! You can still read, watch, listen, and do all the pen and paper exercises. Your deeper understanding of overshot will be beneficial when you do have a loom to use it on or decide to explore how to weave it on the loom you already have on your own.

Humanity is using natural resources 1.8 times faster than the planet’s biocapacity can regenerate. We have exceeded the biological capacity of the planet to regenerate natural resources and absorb waste material. That’s equivalent to using the resources of 1.8 Earths. This means that in 2022 the global resources of the year have finished on the 28 of July (The Footprint Network).

The resources used are also highly unfairly taken. Some countries are taking more than others. If everyone lived like a Swede we would need about 4 Earths. If everyone lived like people in Finland we would need 4.1 Earths, as Norwegians 3.6 and Danish people 4.2 Earths. Clearly, the Scandinavian footprint is far beyond earth-living systems to sustain humanity in a long-term and sustainable way. Despite being well-known for being sustainability champions, the Scandinavian lifestyle, including its consumption patterns, is stealing resources from the poor and future generations.

Overshoot Day SS22 is A Sustainable Closet’s own editorial to show how high production and consumption of new clothes are contributing to Overshoot Day. We highly need to reduce the number of new clothes we produce and consume. Our way to look at fashion has to be more circular and take less natural resources.

Overshoot Day is here to tell us that being fashionable can danger our very fundamental requirements of existence. Less is more has never been more suitable.