overshot rug brands

Overshot is a weave structure traditionally used for patterning coverlets. It is wonderful for table runners and placemats and other applications where a decorative fabric can be used. Pillows and throws can be woven using overshot and with the proper yarns and careful planning overshot works well as a tough little scatter rug. If you have never woven overshot before this is a great first time introduction to this weave structure. Students will weave rugs on pre-warped looms. Each student will be able to weave two small rugs. The looms will be threaded to two different overshot patterns. One group will be threaded to Star of Bethlehem and the others to a single Snowballs pattern. You can choose to weave on one loom for both rugs, or trade with another students to weave a rug in a different pattern. Either way you will love your rugs. All materials included with tuition.

Overshot is perhaps the most iconic weaving technique--think antique coverlets and fancy table runners--yet many weavers are intimidated by its complex-looking structure. But it doesn"t have to be difficult! In this book, Susan Kesler-Simpson makes overshot approachable by breaking it down piece by piece so that the weaver understands how it works, and then she puts it all back together so that weavers will have the confidence to make their own overshot patterns or to try any of the 38 overshot projects she has designed for the book.

"Susan’s explanations are to the point and easy to understand. When you read through the chapters, it’s as if Susan is sitting there with you, telling you in a friendly voice how to weave overshot step by step."--excerpt from the Foreword by Tom Knisely

Overshot is a magical structure. The first time you weave it you can hardly believe the cloth that grows on your loom. Traditionally used to weave bed coverings, overshot has many beautiful applications in today"s world, from useful household textiles to breathtaking works of art. This versatile weave is subject to endless variations. Here are a few of our favorite tips and a few truly spectacular projects, too! If you are inspired, come visit us and learn from a master weaver, Joanne Hall. See details below about her workshop.

A slouchy bag by FiberMusings on Weavolution pairs leftover BFL singles with sturdy Cottolin to create a fashionable yet functional multi-colored bag. The draft is a design from Ann Weaver"s Handweavers Pattern Dictionary, and it"s a great way to integrate Overshot techniques while making an eye-catching accessory!

Another project that caught our eye recently was a shower curtain shared by GailR@30 shared on Weaving Today - it"s nothing short of amazing (click here to see for yourself)! Consisting of thirteen different overshot pattern threadings woven in thirteen different treadlings, 169 different design effects are created based on designs from Osma Gallinger Tod"s book The Joy of Handweaving. As Gail noted on her project page, a great way to make each design stand out is to separate them with twill bands (even though it might mean a little more work in the process!)

Or, you may choose to elevate your weaving like the work of art it most certainly is, as Evaweave did with her Overshot Study pieces. These two miniature silk rugs look lovely in a frame, don"t you think? The overshot pattern was adapted from Overshot Weaving by Ellen Lewis Saltzman, complementing one another perfectly.

Think overshot is too difficult to try? Deb Essen thinks otherwise! Fiber artist, designer, and teacher, Deb is a passionate weaver who specializes in using overshot name drafts to create "secret messages" in cloth.

On her website, she explains: "Overshot is a weave structure and a draft is the weaver"s guide to creating patterns in cloth. Overshot name drafts assign the letters of a name or phrase to the shafts on a loom, creating a pattern that is unique. The one-of-a-kind patterns become a secret hidden message in the cloth and only those knowing the secret can break the code."

Deb lets you in on the secret with her clever kits, each with a hidden message. We"re particularly fond of her That"s Doable kit, which features Mountain Colors hand-painted yarns and, as the name would imply, is our first choice for those new to overshot weaving.

I’m a weaver from Austria and I got my brand new Louet Spring Loom a few days ago. Now it’s fully assembled but I’m wondering if the Spring Loom is sturdy enough (especially the beater) for rug weaving too?

You will be fine weaving a rug on the Spring.  The floating breast beam takes all the stress off of the frame of the loom and the large shed allows the weft to snug right into the fell. Change your shed while the beater is against the fell of the cloth and SQUISH with the beater.  All will be good. One more thing, if anyone else is wondering about rugs on a Spring Loom.  If I were picking a loom just to weave rugs I probably wouldn’t choose a Spring but if you want an awesome all-purpose loom that can weave gossamer fabrics and the occasional rug the Spring is perfect.  I do not consider myself a rug weaver but I have woven several rugs on my Spring and they turned out extremely well and the loom didn’t suffer one bit.

I’m looking at investing in a Spring 110, so was interested in your answer to the above question about rag rugs.  I would like to make a few throws/blankets, double-weave to the full width of the Spring 110, but wanted an all-purpose loom that would fit in my home with a low profile.  My current loom, an 8 shaft LeClerc colonial, is too big for me and my new home.  I was told that the Spring was too lightweight for blankets, not much heavier than the David which I have woven on.  In your opinion would it be suitable for the occasional blanket?

Ask most people what “overshot,” and most weavers think of American colonial weavers and their coverlets. While coverlets are represented here, this collection also includes projects that dazzle with color, drape with luscious softness, and take overshot in new directions. Scarves and shawls, runners (for table and floor), tablecloths and clothing—all appear in this comprehensive collection. Overshot, even in its colonial interpretation, was a miracle weave, allowing unbelievable patterning on only four shafts. Add to pattern the use of color and fine and luxurious yarns, and you’ll start your own love affair with overshot. This is the second eBook on overshot (see also A Baker"s Dozen: Top Projects in Overshot eBook)

This book features the original sample collection and handwritten drafts of the talented, early 20th century weaver, Bertha Gray Hayes of Providence, Rhode Island. She designed and wove miniature overshot patterns for four-harness looms that are creative and unique. The book contains color reproductions of 72 original sample cards and 20 recently discovered patterns, many shown with a picture of the woven sample, and each with computer-generated drawdowns and drafting patterns. Her designs are unique in their asymmetry and personal in her use of name drafting to create the designs.

Overshot is known as a coverlet structure, but it’s also ideal for placemats, runners, blankets, fashion accessories, table linens, rugs, and much more. Just about anything you want to weave can be done in overshot.

Our class project is a series of coordinated placemats and table runners, woven in inexpensive, easy to get materials you may already have in your stash. You’ll choose from three different threadings composed of classic overshot motifs, then treadle them in star fashion, rose fashion, and many other ways.

Don’t feel like weaving placemats, runners, OR samples, or don’t have a loom available? No problem! You can still participate in the class without weaving at all. The lessons, videos, Q&As, and pen and paper exercises will help cement your understanding of overshot even if you don’t take it to the loom right away.

Don’t have that kind of loom? No worries! You can still read, watch, listen, and do all the pen and paper exercises. Your deeper understanding of overshot will be beneficial when you do have a loom to use it on or decide to explore how to weave it on the loom you already have on your own.

Textiles and notions of commodity are intertwined through long eras of trade, colonization, industrialization, and globalization. As part of the mass material cultures of both trade and domesticity, blankets and rugs play schismatic lives. At once part of the geography of the near, they are familiar, warm, and homey. As part of a global discourse, they are mass-produced, consumer grade, of unknown origin, and disposable. "Brand New Rug" is comprised of two large scale weaving installations. While two brightly colored rag rugs span the entire gallery floor, an accumulation of overshot textiles precariously leans against the wall. The works, on the cognitive space of the wall and the corporeal space of the floor, consider the uncertain status of cloth, occupying a contested and fluid space between conflicting roles of myriad taxonomies: utilitarian object, painting, artifact, sculpture, image, structure, and crafted thing.

67: Hand Dyed and Woven Rugs with Jacqueline James: Jacqueline James is a weaver in the UK specializing in the hand-dyed and handwoven rugs. Show Notes: www.gistyarn.com/episode-67

67: Hand Dyed and Woven Rugs with Jacqueline James: Jacqueline James is a weaver in the UK specializing in the hand-dyed and handwoven rugs. Show Notes: www.gistyarn.com/episode-67byWeave

Save 67: Hand Dyed and Woven Rugs with Jacqueline James: Jacqueline James is a weaver in the UK specializing in the hand-dyed and handwoven rugs. Show Notes: www.gistyarn.com/episode-67 for later

How to Get Rid of Rug and Carpet Stains Caused By Pets: Sam Presnell of The Rug Gallery discusses how to clean rug and carpet stains caused by pets, including a new three-step process and cleaning recipe for tackling stubborn stains.

How to Get Rid of Rug and Carpet Stains Caused By Pets: Sam Presnell of The Rug Gallery discusses how to clean rug and carpet stains caused by pets, including a new three-step process and cleaning recipe for tackling stubborn stains.byThe Rug Gallery

Save How to Get Rid of Rug and Carpet Stains Caused By Pets: Sam Presnell of The Rug Gallery discusses how to clean rug and carpet stains caused by pets, including a new three-step process and cleaning recipe for tackling stubborn stains. for later

I used to take weaving classes from a Swedish woman named Maj-Britt out of a studio in Berkeley, California. Maj-Britt would drink fruit-flavored teas all day long, wear a uniform of black leggings and clogs, and weave the most vibrant geometric rugs I had ever seen. She taught me classic Swedish overshot patterns and raved about midcentury designers like Anna Thommesen, Adga Österberg, and Finn Juhl. At the time, I was too interested in monochrome to fully appreciate her work, but looking back, I wish I had bought one of Maj-Britt’s weavings.

It is this subject, the embeddedness and codification of historical circumstances in cloth, that I chose to analyze in my work for the Portland Biennial in 2019, curated by Ashley Stull Meyers, Yaelle S. Amir, Elsheba Johnson at Disjectin Portland, Oregon. For the exhibition, I presented a historical weaving attributed to the collection of Peter Hardeman Burnett, noted author of the racist Oregon exclusionary laws, which, among other provisions, prevented Black Americans and other people of color from owning property in the state of Oregon from 1844 on into the modern era. That textile, woven in a popular colonial American style known as “Overshot,” is a recognizable aesthetic of American domestic idealism, one that can be traced back to the original colonies and Northern European ancestry.