overshot weaving tips for sale

Crazyshot - creative overshot weaving - introduces anyone who uses a rigid heddle loom to a whole world of creative weaving. Using just one heddle and one pick-up stick, you’ll explore color, design, and texture, taking your weaving to the next level. Complete step-by-step instructions are included for weaving all 14 designs in this book. Also provided are how-tos for the single heddle overshot technique, reading charts for the rigid heddle loom, and finishing techniques, along with lots of tips and tricks for successful and satisfying results. Complex patterning is easier than it looks with this simple charted technique. All you need are basic rigid heddle warping and weaving skills to start your next weaving adventure!

With one heddle and one stick, Myra Wood explores the art of working with ground and pattern wefts in this creative approach to rigid-heddle weaving. Known for her for colorwork across many mediums, Myra beautifully illustrates that complex does not have to be complicated. --Liz Gipson, Author ofA Weaver"s Guide to Yarnand other books for rigid-heddle weaving and the host of the Yarnworker School

This item is included in the Handwoven Library! View Overshot Pot Holders Weaving Pattern Download and hundreds of other resources included with Handwoven subscriptions.

If overshot intimidates you, these pot holders are a great way to start! Pot holders are a great format for overshot. One pattern repeat fits neatly into a pot holder"s size. Use them to decorate your kitchen- or as a perfect hostess gift. The fun part of weaving is to take an idea, try it out, and then do it your own way!

This item is included in the Handwoven Library! View Best of Handwoven: Overshot eBook 2 and hundreds of other resources included with Handwoven subscriptions.

We’ve come to know overshot as a timeless, elegant weave structure with endless design possibilities, even on just four shafts. With this eBook, you get 14 of the best overshot projects ever published in Handwoven all in one place. Some of the projects included are Color Gamp in Overshot by Vicki Tardy, Overshot Made Easy for Potholders by Jean Korus, Ribbons of Overshot for a Soft Spring Shawl by Rita Hagenbruch, and so many more! Weave up table linens, towels, a vest, a shawl, and even a coverlet! Projects are for every level of weaver, from those looking for their first overshot project to more experienced weavers who have already fallen in love with this versatile weave. So if you’re ready for a fresh and exciting overshot eBook, this is a must-read.

Weave structures often have specific threading and treadling patterns that are unique to that particular weave structure and not shared with others. This book takes you out of the traditional method of weaving overshot patterns by using different treadling techniques. This will include weaving overshot patterns as Summer/Winter, Italian manner, starburst, crackle, and petit point just to name a few. The basic image is maintained in each example but the design takes on a whole new look!

Each chapter walks you through the setup for each method and includes projects with complete drafts and instructions so it’s easy to start weaving and watch the magic happen! Try the patterns for scarves, table runners, shawls, pillows and even some upholstered pieces. Once you"ve tried a few projects, you"ll be able to apply what you"ve learned to any piece you desire!

An old pattern in overshot weaving that has had many names over time: Muscadine Hills, Hickory Leaf, Blooming Leaf. The Double Bow Knot name comes from the leaf like square that forms the larger …

Imagine being able to weave overshot along the length of your cloth with just one shuttle or being able to weave terry cloth towels for your bath. All this and more is possible on just four shafts by using a supplementary warp. Back by popular demand, this sought-after book hasn"t been available for a long time. The revised and expanded edition features nearly twice as many projects as the original book, with five all-new projects and a new weaving structure. Handweavers will learn weaving expert Deb Essen"s easy warping method, how to turn drafts for one-shuttle weaving, and Deb"s tips and techniques for warping a supplementary draft successfully. Once you have the warping down, weave any of the projects using the weave structures Deb teaches you. Each project explores a different supplemental warp structure, from turned overshot and monk"s belt to Bedford cord and even velvet. And no second back beam is required for your loom!

The origin of the technique itself may have started in Persia and spread to other parts of the world, according to the author, Hans E. Wulff, of The Traditional Crafts of Persia. However, it is all relatively obscured by history. In The Key to Weavingby Mary E. Black, she mentioned that one weaver, who was unable to find a legitimate definition of the technique thought that the name “overshot” was a derivative of the idea that “the last thread of one pattern block overshoots the first thread of the next pattern block.” I personally think it is because the pattern weft overshoots the ground warp and weft webbing.

Overshot gained popularity and a place in history during the turn of the 19th century in North America for coverlets. Coverlets are woven bedcovers, often placed as the topmost covering on the bed. A quote that I feel strengthens the craftsmanship and labor that goes into weaving an overshot coverlet is from The National Museum of the American Coverlet:

Though, popular in many states during the early to mid 19th centuries, the extensive development of overshot weaving as a form of design and expression was fostered in rural southern Appalachia. It remained a staple of hand-weavers in the region until the early 20th century. In New England, around 1875, the invention of the Jacquard loom, the success of chemical dyes and the evolution of creating milled yarns, changed the look of coverlets entirely. The designs woven in New England textile mills were predominantly pictorial and curvilinear. So, while the weavers of New England set down their shuttles in favor of complex imagery in their textiles, the weavers of Southern Appalachia continued to weave for at least another hundred years using single strand, hand spun, irregular wool yarn that was dyed with vegetable matter, by choice.

And, due to the nature of design, overshot can be woven on simpler four harness looms. This was a means for many weavers to explore this technique who may not have the financial means to a more complicated loom. With this type of patterning a blanket could be woven in narrower strips and then hand sewn together to cover larger beds. This allowed weavers to create complex patterns that spanned the entirety of the bed.

What makes overshot so incredibly interesting that it was fundamentally a development of American weavers looking to express themselves. Many of the traditional patterns have mysterious names such as “Maltese Cross”, “Liley of the West”, “Blooming Leaf of Mexico” and “Lee’s Surrender”. Although the names are curious, the patterns that were developed from the variations of four simple blocks are incredibly intricate and luxurious.

This is only the tip of the iceberg with regard to the history of this woven structure. If you are interested in learning more about the culture and meaning of overshot, check out these resources!

The National Museum of the American Coverlet- a museum located in Bedford, Pennsylvania that has an extensive collection of traditional and jacquard overshot coverlets. Great information online and they have a “Coverlet College” which is a weekend series of lectures to learn everything about the American coverlet. Check out their website - coverletmuseum.org

Textile Art of Southern Appalachia: The Quiet Work of Women – This was an exhibit that traveled from Lowell, Massachusetts, Morehead, Kentucky, Knoxville, Tennessee, Raleigh, North Carolina, and ended at the Royal Museum in Edinburgh, Scotland. The exhibit contained a large number of overshot coverlets and the personal histories of those who wove them. I learned of this exhibit through an article written by Kathryn Liebowitz for the 2001, June/July edition of the magazine “Art New England”. The book that accompanied the exhibit, written by Kathleen Curtis Wilson, contains some of the rich history of these weavers and the cloth they created. I have not personally read the book, but it is now on the top of my wish list, so when I do, you will be the first to know about it! The book is called Textile Art of Southern Appalachia: The Quiet Work of Women and I look forward to reading it.

By Susan Kesler-Simpson. Overshot can seem overwhelming if you haven"t done it before but don"t be daunted! Susan Kesler-Simpson"s book makes overshot very approachable. The first part of the book covers what makes overshot what it is structurally. Then Susan goes over ways to adapt overshot: creating your own design from an existing pattern, adding borders, and combining different threading and treadling sequences. She offers tips for making the process of threading and treadling easier. And then the projects! Thirty-seven different projects are given, with large charts for threading and treadling, photos of the finished pieces, and close-up photos showing the structure. The projects allow you to apply what you have just learned and explore the range of possiblities with overshot.

Crazyshot - creative overshot weaving - introduces anyone who uses a rigid heddle loom to a whole world of creative weaving. Using just one heddle and one pick-up stick, you’ll explore color, design, and texture, taking your weaving to the next level.

Complete step-by-step instructions are included for weaving all 14 of the designs in this book. Also provided are how-tos for the single heddle overshot technique, reading charts for the rigid heddle loom, and finishing techniques, along with lots of tips and tricks for successful and

Complex patterning is easier than it looks with this simple charted technique. All you need are basic rigid heddle warping and weaving skills to start your next weaving adventure!

Woven by Rachel SnackWeave two overshot patterns with the same threading using this downloadable weave draft to guide you. This pattern features the original draft along with one pattern variation. Some yarns shown in the draft are available to purchase in our shop: 8/2 cotton, wool singles, 8/4 cotton (comparable to the 8/4 linen shown).

please note: this .pdf does not explain how to read a weaving draft, how to interpret the draft onto the loom, or the nuances of the overshot structure.