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Lara Croft Tomb Raider: The Cradle of Life (a.k.a. Tomb Raider: The Cradle of Life and Tomb Raider 2) is a 2003 action film directed by Jan de Bont. It stars Angelina Jolie as Lara Croft. It is a sequel to the 2001 film

Lara Croft (Jolie) is tasked by MI6 to find Pandora"s Box, an object from ancient legends which supposedly contains one of the deadliest plagues on Earth, before evil Nobel Prize-winning scientist turned bioterrorist Jonathan Reiss, (Ciarán Hinds) can get his hands on it. The key to finding the box, which is hidden in the mysterious Cradle of Life, is a magical luminous orb that serves as a map. Lara finds the orb while exploring the submerged Luna Temple following an earthquake off the coast of Thira, but it is stolen by crime lord Chen Lo, who in turn plans to sell the orb to Reiss. Lara recruits an old lover, Terry Sheridan, (Gerard Butler), a former mercenary and Royal Marine who had spent his last couple of years in prison in Kazakhstan, to help her track down Chen Lo and the orb.

Among the action sequences that take place during this time are the duo"s entry into mainland China, a fight scene in suburban Shanghai, and a leap off the then-under-construction International Finance Centre skyscraper in Hong Kong, landing on a ship out in the Kowloon Bay. Lara and Terry begin to fall in love with each other again but Lara starts to back away from him. The orb later reveals the location of the Cradle of Life to be somewhere near Mount Kilimanjaro in Tanzania. Lara sends this info back to Bryce back at Croft Manor. After the transmission, Reiss and his men had infiltrated the mansion and captured Bryce and Hillary.

Lara meets up with Kosa, an African friend who serves as her translator as they obtain information from a local tribe about the Cradle of Life which is located on the Mountain of God. As the expedition started, many of the tribesmen are soon killed by Reiss" soldiers and ends with Lara being captured as Reiss" helicopter starts to land. Reiss threatens to kill Bryce, Hillary, and Kosa unless Lara leads him to the Cradle of Life. Soon they face perils such as a forest full of Shadow Guardians that kill immediately when they sense movement. When it comes to entering the Cradle of Life, there is a pool of highly corrosive black acid which holds the box. During this time, Terry arrives, frees Reiss" captives, and catches up to Lara.

Following a climactic fistfight between Lara and Reiss, Reiss is knocked into the acid pool by Lara after he is distracted by Terry. Terry treats Lara"s injuries and she gives him a kiss as a way of saying thank-you. When the couple tries to leave, Terry attempts to take Pandora"s box as compensation for finding it, but she staunchly refuses to let him leave with it. Despite her love for him, this results in Lara being forced to fatally shoot him in self-defense just after Terry draws his own gun. Lara places Pandora"s Box back into the pool, and realizes that some things were not meant to be found.

Cradle of Life also featured the new 2003 Jeep Wrangler Rubicon, first seen when Lara parachutes into the moving vehicle in Africa and takes over the wheel from Kosa. As part of Jeep"s advertising campaign, it was specially customized for the film by Jeep"s design team along with Cradle of Life production designers Kirk Petruccelli and Graham Kelly, with three copies constructed for filming.Tomb Raider models were produced - available only in silver like the film version and minus its special customizations - and put on the market in July to coincide with Cradle"s theatrical release. Jeep vice president Jeff Bell explained, "[The ad campaign] is more than just a product placement ... the Jeep Wrangler Rubicon is the most capable Jeep ever built, so the heroic and extreme environment in which Lara Croft uses her custom Wrangler Rubicon inTomb Raideris accurate."

One notable mistake in the film is when Lara (Angelina Jolie) drops into a boat family"s home in Hong Kong - and speaks to them in Mandarin Chinese. Additionally, a TV on the boat is showing a programme in Mandarin Chinese. In real life, since the official spoken language of Hong Kong is Cantonese Chinese - not Mandarin Chinese, it would have been more appropriate for Lara to speak in Cantonese Chinese to the family instead. Also, the vast majority of Hong Kong TV programmes are in Cantonese Chinese - not Mandarin Chinese, as well.

In March 2004, producer Lloyd Levin said that Cradle of Life had earned enough internationally for Paramount to bankroll a second sequel, but any hopes of it going into production were soon quelled by Jolie"s announcement that she had no desire to play Lara Croft a third time. "I just don"t feel like I need to do another one. I felt really happy with the last one. It was one we really wanted to do."

In the scene where Lara Croft and partner jump off a building wearing "flying suits", called wingsuits, the stunt was performed by the two men who developed the suits. No CGI, wires, nets, or other SFX were involved. This suit was invented by Patrick de Gayardon, who died in a parachute accident in April 1998 while testing a new type of parachute in Hawaii.

At one point in the movie, Lara Croft attacks a bad guy using very sophisticated movements with an antique rifle. Her movements are taken from Queen Anne Salute used by the U.S. Army Drill Team.

The skin on Lara"s upper left arm is rarely seen exposed in this film. Angelina Jolie sports a large tattoo on her upper left bicep which requires make-up to cover up. The fact her left arm is rarely bared in this film (her opening scene in a bikini is shot in such a way her RIGHT arm, not her left, dominates) may be due to criticism that the tattoo was sometimes poorly concealed in Lara Croft: Tomb Raider (2001).

In Lara Croft: Tomb Raider (2001), Angelina Jolie had to wear bra padding in order for her bust size to measure up to the videogame character"s. Jolie wears considerably less (and possibly no) padding in this film, as the decision was made to give Lara more realistic dimensions.

At the time of the film"s release, Angelina Jolie said she had no desire to play the character a third time. Nonetheless, some planning for a third feature was undertaken until early 2004 when the studio announced plans for another Lara Croft film starring Jolie had been cancelled.

Just as in the first film, there are several scenes in which the live-action Lara mimics the computer game version, in particular a scene in which she climbs around a pagoda and pole-vaults to a helicopter. She also takes a nasty fall as the animated Lara was prone to do.

In the film, Lara and Terry walk into a mall in Hong Kong called Times Square, after which they make their way to a then-unfinished taller building called the IFC tower. The film treats the two buildings as if they are attached, but in fact they are a subway train ride apart. The large skylight that looks up the IFC tower from Times Square was digitally added into the scene.

Will the intrepid duo save the world from destruction? I guess we’ll find out over the course of the next few months! For now, here’s what I have to say about Lara Croft and the Frozen Omen #1.

The story then cuts to the British Museum – Lara’s new workplace – where we find out that a priceless artefact carved from mammoth ivory has vanished under mysterious circumstances. A quick review of the CCTV footage and questioning by museum security ends up raising more questions than answers so Lara decides to take matters into her own hands and stalks the lead suspect, her colleague Jon. Alerted to Lara’s presence, the suspected thief flees towards a nearby taxi, prompting our heroine to follow suit and ultimately end up at Heathrow Airport.

Back to Lara, who is now in sunny Belize and still hot on the trail of her wayward colleague. Uncertain of Jon’s motive for stealing the artefact, Ms Croft eventually finds an abandoned Jeep and footprints that lead her to a wooden hut in the middle of the Belizean rainforest. Ignoring a phone call from Carter, she goes looking for Jon and finds him dazed and delirious on the floor of the hut, babbling about how the ivory piece had wanted to come here and whatnot.

OK, first of all, it’s clear from the get-go that Lara Croft universe, after all). Her banter with Carter Bell at the start of this issue, the mystery theft at the museum, and the sinister horned Big Bad all point in the direction of good ol’ pulp adventure. So you may want to suspend your disbelief if you don’t want to ruin the comic for yourself. Just roll with it.

Storywise, I think Bechko does a good job of setting things in motion and her cliff-hanger ending certainly helps build up the suspense for the next issue. The plot (thin as it may be) develops at a steady pace but I felt that the issue ended somewhat abruptly and just as Lara was beginning to make sense of the situation.

When Tomb Raider comic artist Tomb Raider comic artist (Tomb Raider series but would have looked out of place here. Frozen Omen pays homage to the light-hearted escapades of Lara’s Top Cow days and this is reflected perfectly in the comic art. Green’s work has matured over the years but it’s still recognisably his and, well, it’s just lovely to see our old Lara back in comic form after so many years. It’s been too long.

That said, Green’s work on this issue is not without its flaws. Lara’s facial features appear to change, sometimes significantly, from page to page (this is most notable in the first half of the issue) and there’s the occasional unusual angle, e.g. Lara’s weird mid-run pose in the British Museum. Some people have criticised Green’s penchant for drawing Lara in needlessly provocative poses – a holdover from his Top Cow days, perhaps – but the worst offence in this issue is the final scene. Sure, there’s a hentai joke to be made here somewhere but the real problem is Lara’s face. That expression truly is the stuff of nightmares. *shudders*

I feel I should also mention Jean-Sébastien Rossbach’s stunning cover art, which is the artistic highlight of this issue. His Lara, like that of Temple of Osiris, seems to be a pleasing mix of old and new, combining the more realistic physique of Reboot Lara with the shorts, acrobatics, and dual pistols of her predecessor. If this cover art were available in poster form, I’d snap it up in a heartbeat…

Lara’s back-story isn’t touched upon at all in this issue, which is both a plus and minus. On the one hand, it allows us to see her as either the Lara from the Core Design games or the one from the earlier Crystal Dynamics games… or simply as that Lara from Guardian and Temple. In this sense, she can be anything the reader wants her to be. On the other hand, anyone who’s unfamiliar with the Tomb Raider games may be left wondering who this woman is or why her fellow archaeologist Carter Bell holds her in such high regard.

One interesting development is that Lara now works for the British Museum, although it’s not exactly clear what her role there is or how this world-class institution came to recruit someone with such a low regard for archaeological ethics. Either someone lied on her CV or the museum’s standards have slipped considerably. Maybe it’s best to file this under “willing suspension of disbelief”…

As an aside, I’d like to raise the point that the Tomb Raider/Lara Croft franchise divide is still causing a great deal of confusion, especially amongst those who are either casual fans of the series or whose knowledge of the series is limited to the 2013 reboot. This confusion was apparent in some of the reviews I read, particularly in Tomb Raider” in the comic’s title as proof that Frozen Omen has no place in the series.

But who could blame them? The reboot was meant to reinvent the franchise and back in December 2010, Crystal Dynamics studio head Darrell Gallagher asked the gaming public to “Forget everything [they] knew about Tomb Raider“. And while most of us die-hard fans are well aware that “Classic Lara” has been relegated to her own new (and surprisingly decent) spin-off franchise, it’s not hard to see why some people may be flummoxed by the ongoing adventures of the shorts-wearing, dual pistol-wielding Lara of yesteryear when her younger, less fantastical counterpart is doing the rounds and being hailed as an example of a franchise reboot done well.

All I can say is, as a fan of the older games and films, I’m just glad there’s enough room in this world for two Lara Crofts and that fans have the freedom to enjoy one Croft or the other. Or both. Long live parallel universes and their ability to confuse the general public!

All in all, Frozen Omen #1 is a solid start to the new series and Bechko, Green and co deserve praise for their efforts. The art is sound (for the most part), the dialogue wouldn’t seem out of place in any of the older games (or in the more recent Lara Croft spin-off games), and the story is full of the wonderful archaeo-nonsense that many of us loved in the Indiana Jones films or older TRgames.

Would the comic appeal to non-fans? Well, to be honest, I don’t really think it would as there is no real attempt to introduce Lara to a new audience. Bechko spends more time fleshing out Carter Bell in the first few pages than she does on Lara so it seems that the reader is expected to already know who Ms Croft is and be familiar with her many quirks.

Now, this isn’t necessarily a bad thing. As with many tie-in comic series, this one was written with Tomb Raider fans in mind and it’s clear from the get-go that they are the intended audience. And Bechko definitely delivers. But this does mean that non-fans may find the series a little hard to get into and, at worst, be left with the impression that Lara is little more than a two-dimensional, stereotypical adventurer-archaeologist who likes to climb things and strike sassy poses.

Tomb Raider games is more to your taste, fear not. Funko also have a Lara Croft Pop! figure for you, complete with pistol, climbing axe, and bandages.

Tomb Raider‘s 25th anniversary celebrations, this cookbook contains dozens of recipes inspired by Lara’s many adventures. What’s more, the book also provides information about the various places Lara has visited over the years and the cultures she has encountered.

Lara Croft: Tomb Raider – The Cradle of Life is a 2003 action adventure film directed by Jan de Bont and based on the Angelina Jolie stars as the titular character Lara Croft with supporting performances from Gerard Butler, Ciarán Hinds, Chris Barrie, Noah Taylor, Til Schweiger, Djimon Hounsou and Simon Yam. An international co-production between the United States, the United Kingdom, Germany and Japan, the film is a sequel to the 2001 film

Critics regarded The Cradle of Life as an improvement on its predecessor, particularly in the action sequences, and continued to praise Jolie"s performance as Lara Croft. Despite this, it did not repeat its box office performance, grossing $156 million compared to the previous instalment"s $275 million. It was still a financial success, and plans were made for a sequel, but these were cancelled when Jolie declined to reprise her role as Croft.

On Santorini island, Greece, a strong earthquake uncovers the Luna Temple. The temple was built by Alexander the Great to house his most prized treasures. Among these treasures is a glowing orb with a pattern resembling a code etched into it. Treasure-hunting archaeologist Lara Croft and her group find this orb but are ambushed by the Lo brothers; Chen and Xien, both of whom are crime lords and leaders of Chinese syndicate Shay Ling. The duo kill the group and take the orb but Lara escapes with a strange medallion.

MI6 approaches Lara with information about Pandora"s box, an object from ancient legends that supposedly contains a deadly plague (the companion to the origin of life itself). The box, hidden in the mysterious Cradle of Life, can only be found with a magical sphere that serves as a map. The sphere is the same orb that was stolen by Chen Lo, who plans to sell it to Dr. Jonathan Reiss - a Nobel Prize winning scientist and business magnate turned misanthropic bio-weapon arms dealer.

Agreeing that the sphere must be kept away from Reiss, Lara agrees to help MI6, with the condition that they release her old flame Terry Sheridan, who is familiar with Chen Lo"s criminal operation. Together, Terry and Lara infiltrate Chen Lo"s lair, where he is smuggling the Terracotta Soldiers. Lara defeats him in a fight and learns that the orb is in Shanghai, China. In Shanghai she discovers Chen"s brother Xien is trying to hand over the orb to Reiss, however once Xien hands the orb over, Reiss betrays Xien and executes him, but not before Lara manages to put a tracker on the crate containing the orb during the handoff.

Lara and Terry manage to find the orb in a lab housed in Hong Kong. However, Lara is captured by Reiss and his men. Reiss reveals his plans to unleash the plague, saving only those people he deems worthy. He is about to kill Lara Croft. Helpless and condemned, Lara is saved by Terry and then they take the orb before fleeing using wingsuits. The next day, Lara uses the orb and learns the location of the mysterious Cradle of Life; in Kenya, Africa near Mount Kilimanjaro. After Lara sends returns information to her friend Bryce back at Croft Manor, Reiss and his men infiltrate the mansion and capture him and Hillary. Lara travels to Kenya where she meets up with her longtime friend Kosa. They question a local tribe about the Cradle of Life, wherein the chief states that the Cradle of Life is in a crater protected by the "Shadow Guardians".

As they set out on an expedition, Reiss" men ambush them and kill the tribesmen. Outnumbered, Lara surrenders. Using her companions as hostages, Reiss forces Lara to lead him to the Cradle of Life. At the crater, they encounter the Shadow Guardians, monsters that appear in and out of wet patches on dead trees. The creatures kill most of Reiss" men, but Lara manages to find the "keyhole" and drops the Orb in it. The creatures disintegrate and the entrance to the Cradle of Life opens.

Lara and Reiss are drawn into the Cradle, a labyrinth made of a strange crystalline substance where normal laws of physics do not apply. Inside, they find a pool of highly corrosive black acid (linking back to one of the myths about Pandora"s box), in which the box floats. Terry arrives, frees the hostages and catches up to Lara.

Lara fights Reiss but Reiss succeeds in retrieving his gun. He is about to shoot her, throw her into the acid and take Pandora"s Box, but unfortunately for him Terry distracts him and saves Lara. Then Lara knocks Reiss down and throws him into the acid pool, which kills and dissolves him. Then Terry announces his intention to take the box for himself. When he refuses to back down, Lara regretfully shoots him dead, replaces the box in the pool and leaves.

The film also featured the new 2003 Jeep Wrangler Rubicon, first seen when Lara parachutes into the moving vehicle in Africa and takes over the wheel from Kosa. As part of Jeep"s advertising campaign, it was specially customised for the film by Jeep"s design team along with the film"s production designers, with three copies constructed for filming.Tomb Raider models were produced—available only in silver like the film version and minus its special customisations—and put on the market to coincide with the release of the film. Jeep vice president Jeff Bell explained, "[The ad campaign] is more than just a product placement ... the Jeep Wrangler Rubicon is the most capable Jeep ever built, so the heroic and extreme environment in which Lara Croft uses her custom Wrangler Rubicon in Tomb Raider is accurate."

According to review aggregator Metacritic, Lara Croft: Tomb Raider – The Cradle of Life received "mixed or average reviews" based on an average score of 43/100 from 34 critic reviews.Rotten Tomatoes, the film has a score of 24% based on 176 reviews, with an average rating of 4.6/10. The website"s critical consensus reads, "Though the sequel is an improvement over the first movie, it"s still lacking in thrills."

In March 2004, producer Lloyd Levin said that The Cradle of Life had earned enough internationally for Paramount to bankroll a third film, but any hopes of it going into production were soon quelled by Jolie"s announcement that she had no desire to play Lara Croft a third time: "I just don"t feel like I need to do another one. I felt really happy with the last one. It was one we really wanted to do."Alicia Vikander as Lara Croft.

In Lara Croft: Tomb Raider (2001), Angelina Jolie had to wear bra padding, in order for her bust size to measure up to the videogame character. Jolie wears considerably less (and possibly no) padding in this film, as the decision was made to give Lara more realistic dimensions.

In the scene where Lara Croft and Terry Sheridan jump off a building wearing "flying suits", called wing suits, the stunt was performed by the two men who developed the suits. No CGI, wires, nets, or other special effects were involved. The modern wing suit was invented by Patrick De Gayardon, who died in a parachute accident in April 1998, while testing a new type of parachute in Hawaii.

At one point in the movie, Lara Croft attacks a bad guy using very sophisticated movements with an antique rifle. Her movements are taken from the Queen Anne Salute used by the U.S. Army Drill Team.

Just as in the first film, there are several scenes in which the live-action Lara mimics the computer game version, in particular, a scene in which she climbs around a pagoda and pole vaults to a helicopter. She also takes a nasty fall as the animated Lara was prone to do.

The skin on Lara"s upper left arm is rarely seen exposed in this film. Angelina Jolie sports a large tattoo on her upper left bicep which requires make-up to cover up. The fact her left arm is rarely bared in this film (her opening scene in a bikini is shot in such a way her right arm, not her left, dominates) may be due to criticism that the tattoo was sometimes poorly concealed in Lara Croft: Tomb Raider (2001).

At the time of the film"s release, Angelina Jolie said she had no desire to play the character a third time. Nonetheless, some planning for a third feature was undertaken until early 2004, when the studio announced plans for another Lara Croft film starring Jolie had been cancelled. A reboot of the franchise, called Tomb Raider (2018), starring Alicia Vikander as Lara Croft was released 15 years later.

In the film, Lara (Angelina Jolie) and Terry (Gerard Butler) walk into a mall in Hong Kong called "Times Square", after which they make their way to a then-unfinished taller building, called the "IFC tower". The film treats the two buildings as if they are attached, but in fact they are a subway train ride apart. The large skylight that looks up the IFC tower from Times Square was digitally added into the scene.

In the scene where Lara is sought out to make her adventure by the Government men at her home, she gives several opposites: the one ""You can"t have pleasure without pain" was improvised ad libbed by her, which director de Bont liked enough to leave in. [His DVD commentary]

Around June of 2002 it was widely reported by Daily Star and other news how this sequel would include nude scenes with Lara, however Angelina Jolie"s spokesman denied this. The decision to do this in sequel makes no sense since the first film already had to go through some cuts for PG-13 rating due to nudity, like Jolie"s shower scene which originally showed Lara nude, and second shower scene she had was cut out completely. It"s possible that these reports were started following the leak of working script drafts for the film, which did in fact include nude scenes that Jolie felt were unnecessary and had them cut. Lara"s introduction scene for example had her stripping off her bikini after she arrives on the ship knowing that guys were secretly watching her so she turns around and scares them causing her to burst out laughing. Also, the scene where she traps Terry after pretending she is about to have sex with him originally did had a sex scene between the two which would then cut to next morning where Terry finds himself handcuffed to the bed.

Djimon Hounsou appeared in Guardians of the Galaxy (2014) as Korath, which the film"s plot centered around an orb, which contains a weapon, which the film"s main antagonist plots to use. In this film, Lara Croft (Angelina Jolie) sets out to retrieve an orb, which will lead to the mythical Pandora"s Box.

Considered to be an updated version of Red Sonja (1985), Lara Croft sets out to retrieve an orb from Jonathan Reiss, with the help from Terry Sheridan, who is a mercenary.

Lara Croft 2.0! Kelly Gale wore tight leather trousers as she fired off a handgun at a shooting range while filming her new movie The Plane in Puerto Rico over the weekend

The movie is being shot in Puerto Rico, and Kelly took a well-earned break from her schedule a week before as she went topless for a day by the ocean.

"Happy to spend my day like this":  The movie is being shot in Puerto Rico, and Kelly took a well-earned break from her schedule last month as she went topless for a day by the ocean

"Happy to spend my day like this," Kelly captioned the photo on Instagram, making sure to censor her nipples with tiny black marks to avoid the image being flagged as inappropriate.

Congratulations! Kelly is also busy with wedding preparations after becoming engaged to her Suicide Squad actor boyfriend Joel Kinnaman, 40, (right) in January

Loved up! In December, Kelly revealed she knew Joel was "her guy" when he agreed to get up at 1am for a hike on a spontaneous trip to Bali together after only three dates

Love that this Lara Croft smile has turned into a meme. Bet it wasn"t what they intended to happen but here we areeee! P.S. A smile? Basic. Make it fun and have her cross her eyes or something silly.

Top marks to Weta for the jade pendant itself, which is really what most fans are interested in here. The pendant is a beautiful recreation of the one Lara wears in Shadow of the Tomb Raider, and is perfectly detailed on both sides. The carving is immaculate and the jade is polished to a lovely smooth finish. I really don\"t believe it is possible to get a better recreation of the pendant anywhere else, and I love mine.

The only let down, as others have mentioned, is the necklace. It is a lovely leather necklace which is beautifully finished with a couple of nice beads for sizing. As a piece of jewellery it is perfect and would be acceptable to most people. Unfortunately it is a thin, light brown leather which does not match with what Lara wears in game. For fans this is a slight let down, but also an easy fix. Black cord, (either leather or cotton) is easily sourced and makes an easy replacement. The pendant, however, is something that cannot be replaced.

This necklace is such a great work. I totaly love it. the puzzlebox that comes with it is so cool and realy well worked. The Price is high bunt okay for a Pierce like That. I wish Weta would make the necklace Lara Wehrs in the fist new 2 Games and the 2018 movie.

As far as the necklace\"s cord is concerned I definitely agree with the reviews of my predecessors. It\"s clearly too thin (~1.1mm wide) and it\"s sadly of light brownish colour that doesn\"t quite go right with the green jade necklace. In my case I have replaced it with a 2mm wide black cord which is long enough to have it doubly tied around my neck, pretty much like Lara wears it in the games. The necklace looks so much better with it.

Summing up, I truly do recommend this product. Don\"t get discouraged by the cord as it can be easily replaced anytime you wish. The necklace, however, cannot be. You won\"t get another such lovely replica of Lara\"s necklace, that\"s also made of jade, anywhere on the Internet except here on Weta.

The necklace is beautiful. The jade seems quite authentic. It has a gorgeous green colour to it, feels very nice, and the carving is very cute. I also admire how accurate the carving is to Lara\"s actual necklace in-game. Keep in mind the necklace is modeled after the pendant as depicted in Shadow of the Tomb Raider and in original concept art. Technically, this rendition of the pendant is true to the original concept design before it was changed later on then reverted back for Shadow. The necklace also feels light, but has a good volume to it.

Overall, this order was pretty marvelous. The package shipped from the New Zealand warehouse, and it came within the 21 days as reported by the shipping option I chose (I chose NZ post 21 days untracked to be shipped to Canada). My only criticism is the neckband. It is much thinner than what I thought it would be, and the colour is a bit off-putting. Though, I still like the neckband and I do not think it is actually weak enough to easily snap. The good thing is that the neckband can be removed due to the way it is tied.

My necklace comes with some flaws which I\"m not sure its chipped or crafting inconsistency. Thus, the puzzle box really outshines the necklace.But still, I can accept those flaws and be happy with it.

Ordered this on the 5th(Hamilton, NZ), didn\"t get an email confirmation/nor a courier update. Got a courier update on the Friday, sometime after the courier made an attempted delivery, so I missed it and had to pick it up that Saturday(today as I\"m writing this), an email with the courier tracking code would havr been convenient (I did periodically visited my account too). The item was packaged in a nice box, the wooden box is amazing, great detailing in the markings, I loved the neat puzzle(no one else would know how to open it without the instructions, which it does come with and I love it, although it\"s considerably quite small so you can\"t put much inside of it). The pendant was smaller and thicker than expected(I own a metal replica from the Tomb Raider 2013 guide book, which that pendant in itself, the frame around the yin/yang symbol is different to Weta\"s, and it\"s much bigger and thinner than Weta\"s) the pendant is gorgeous though, great craftsmanship and lovely deep colour as expected from Jade. I was disappointed with the leather strap, it\"s much lighter than depicted in the videogames(it\"s also a shoe lace as stated in the Dark Horse comics, I\"m sure comprises must have been taken) it feels cheap/thin and if you try to wrap it around your neck twice(as Lara does in the videogames) you\"re almost chocking yourself, so I will consider buying a strap of my own that is darker and longer. If anything I just would\"ve preferred a longer strap. Overall I\"m grateful for the opportunity to own this. I am Maori and have never been gifted a pounamu before(if you\"re spiritual, religious, in Maori culture it\"s best to get the pendant blessed to rid it of any curses/negative energies, to be safe, I prayed on it myself and replaced any negativity with positive energies.)

I\"m a big Lara Croft fan and pre-ordered this the second it was announced. I kept my pre-order and didn\"t even ask for my money back during all the delays.

Shadow of the Tomb Raider"s photo mode, on the other hand, is leaving people in stitches. Because as PC Gamer"s Andy Kelly hilariously reports, you can make Lara Croft break into a huge shit-eating grin at practically any point in the game:You can change Lara"s facial expression in Shadow of the Tomb Raider"s photo mode and make it look like she"s just on a really intense gap year. pic.twitter.com/RTsRPd0LJG— Andy Kelly (@ultrabrilliant) September 10, 2018

But Kelly decided to take things one step further: what if Lara had her own Instagram page that documented her travels? You can see the hilarious results at PC Gamer.

It’s never a guarantee, when you’re interviewing new creatives on an old franchise, that they’ll have a personal connection with the work that’s come before — but the moment that Polygon asked writers Jackson Lanzing and Collin Kelly and artist Ashley A. Woods about their experience with Tomb Raider, the three began talking about their love of the game.

Not quite all of them had played the original Tomb Raider games, but they had all found the Crystal Dynamics’ reboot to be incredibly compelling, for its more “grounded” take, it’s tightly engineered level design and it’s more “emotionally honest” characters. In fact, Lanzing and Kelly were both in the middle of playing Rise of the Tomb Raider when they got the call to pitch on a new Tomb Raider comic.

Coming out of Rise of the Tomb Raider, Lara has discovered the ancient, global, conspiratorial order of Trinity; met a man who had developed immortality; and realized that her father’s suicide was actually a murder. A lot of what she thought she knew about her own past has been significantly undermined.

Lanzing said they were trying not to simply make another adventure where “Lara kills some stuff with a bow and arrow ... and instead trying to [make] a book about what Lara goes through when she finds herself driven so hard that she becomes a danger to herself.”

“She falls down, she gets battered, she gets beaten,” Kelly said, “and she always gets back up. And in a game, that just makes a lot of sense, that’s how a game hero works. But when you start to think of that as ‘No, that’s how she lives her life’ — that kind of lifestyle leads to a certain kind of mentality. And that mentality is what we really wanted to bring into the comics.”

In their comic, Lara finds herself getting some satisfaction in killing, though she’s not exactly happy about it — she’s struggling to maintain her humanity after all she’s been through and seen.

“These are lethal weapons,” Lanzing continued. “This is not a person who is pulling her punches. But at the same time she’s not driven to murder, right? It’s all to survive. It all comes from a place of needing to get through no matter what. The Lara that we’re writing is the one who’s come out of that survival scenario and she’s still on her crusade. And in that sense she is starting to tack a little bit to the side of being a hunter, not being a tomb raider.”

Polygon asked if they were saying that Lara might be losing control. “Yeah,” Lanzing answered. “A little bit,” Kelly said. “A little bit,” Woods agreed.

In addition to deep revelations about the nature of the world and her place in it, Survivor’s Crusade will also feature the return of Lara’s stalwart adventuring companion, Jonah, who will provide some valuable perspective for her — whether or not she listens to it before jetting off on another globe-trotting adventure.

Kelly and Lanzing agreed that some of their favorite work on the miniseries was finding locations for Lara to explore and sending Woods tons of photo reference and research. Woods said that Kelly and Lanzing incorporated those visual references in with the script, creating almost a picture book for her to work from.

The first of those locations will be Cinque Terre, a series of five isolated villages along the Italian riviera. The first is reachable by train, but the rest must be hiked to or visited by boat.

Lanzing explained that Cinque Terre is in some ways a metaphor for Lara. It’s a person who is beautiful and vibrant and when you put her with her friends ...”

Lara will discover something secret and ancient beneath Cinque Terre that will set her on her journey. Issue #2 will take place in Thailand and #3 will follow her as she visits a slew of locations across the world, exploring her own past. And research and reference was clearly a core part of the team’s work on the series.

“We are not going in and saying here’s the serial-numbers-filed-off-version of an ancient culture,” Lanzing said. “Instead what we’re saying is, here’s the real world, here are places you go — if you want to go discover an ancient tomb in Thailand, they’re there, you can go. You won’t be the first person in, but you can go. The tomb she goes into, we’re not making it up. We’re going to elaborate on it, but there’s aspects of it that are very real. So, too, is every place that she goes in Issue #3. Those are real places that you can go to and you can encounter the way that she did. Cinque Terre is there.”

Those who haven"t spent much time in local parks since their own kids were young should take a second look, says Parks and Recreation Department spokeswoman Kelly Irwin