bertha gray hayes miniature overshot patterns manufacturer

By Norma Smayda, Gretchen White, Jody Brown, and Katharine Schelleng. These four weavers have assembled the sample collection of miniature overshot patterns for four harness looms created in the early 20th century by Bertha Gray Hayes. The book contains color reproductions and computer-generated drawdowns for 92 designs. These differ from traditional overshot designs in that they are often based on name drafts and many are not woven "as drawn in", giving many of them a dynamic, asymmetrical style.

Today’s weavers owe much to the early 20th-century giants who revived handweaving in the American craft scene: Mary Meigs Atwater and the Shuttle-Craft Guild, Harriet Tidball, and Osma Gallinger Tod. But if you’ve ever woven a miniature overshot or a name draft, you may have to thank a lesser-known but passionate weaver named Bertha Gray Hayes.

Bertha Gray Hayes was born in Middleborough, Massachusetts, in 1878. Little is known of her early life, but she moved to Providence, Rhode Island in 1914, and from 1931 until her death in 1947, she worked as a clerk and bookkeeper at the Providence Gas Company. According to the book Weaving Designs by Bertha Gray Hayes: Miniature Overshot Patterns, former coworkers remembered her youthful appearance, poise, and tasteful dress, but their most profound memory was that “weaving was her life.”

Sweet Little Wedding Towels by Tracy Kaestner, inspired by the overshot pattern called Waldenweave from Weaving Designs by Bertha Gray Hayes: Miniature Overshot Patterns.

No one knows what started Bertha Hayes down the weaving path. Perhaps it was the rich textile heritage of her adopted home, Rhode Island. But in 1923, she became a charter subscriber to Mary Meigs Atwater’s correspondence course, the Shuttle-Craft Course in Weaving. She kept a scrapbook of lessons and ideas. At some point, she struck out on her own, taking traditional overshot in new directions.

For the full article, and to get the pattern for the Sweet Little Wedding Towels, please see: "Traditions: Sweet Little Overshot, THE LEGACY OF BERTHA GRAY HAYES" by Anita Osterhaug found in Handwoven November/December 2016, page 58

Features the original sample collection and handwritten drafts of the talented, early 20th century weaver, Bertha Gray Hayes of Providence, Rhode Island. She designed and wove miniature overshot patterns for four-harness looms that are creative and unique. The book contains color reproductions of 72 original sample cards and 20 recently discovered patterns, many shown with a picture of the woven sample, and each with computer-generated drawdowns and drafting patterns. Her designs are unique in their asymmetry and personal in her use of name drafting to create the designs. Bertha Hayes attended the first nine National Conferences of American Handweavers (1938-1946). She learned to weave by herself through the Shuttle-Craft home course and was a charter member of the Shuttle-Craft Guild, and authored articles on weaving.

This book features the original sample collection and handwritten drafts of the talented, early 20th century weaver, Bertha Gray Hayes of Providence, Rhode Island. She designed and wove miniature overshot patterns for four-harness looms that are creative and unique. The book contains color reproductions of 72 original sample cards and 20 recently discovered patterns, many shown with a picture of the woven sample, and each with computer-generated drawdowns and drafting patterns. Her designs are unique in their asymmetry and personal in her use of name drafting to create the designs.Bertha Hayes attended the first nine National Conferences of American Handweavers (1938-1946). She learned to weave by herself through the Shuttle-Craft home course and was a charter member of the Shuttle-Craft Guild, and authored articles on weaving.

Weavers will enjoy this book tremendously but I would not consider it something a novice would want to leap into. The warps were once easily acquired but they are not available on spools the way they were when these looms were manufactured. We don"t typically use threads that fine nowadays so one might have to use sewing thread or quilting thread to get the suggested number of threads per inch. However, a different sett can be used without much effort and still use the same threading sequence. The style is a bit different as not all the patterns have the type of treadling sequence designs that we commonly use today. The weaver who provided the subject of this book had an incredible imagination and had some clever ways to invent new patterns. The book is interesting to me just for itshistorical value and not just the patterns. The use of overshot is not common in today"s clothing, but the designs are still extremely useful in items like dish towels and place mats that have contrasting borders. And, if someone likes to be historically correct in their weaving, there"s always an opportunity to attempt a coverlet. The main thing anyone should remember when beginning to experiment with overshot is that the base weave is done in a finer thread or yarn than the overshot pattern. Otherwise there will be gaps in the pattern or it will be very distorted from what was originally expected. I never really thought about how many options are possible with just 4 shafts. This book was inspiring in that respect.Read full review

This book features the original sample collection and handwritten drafts of the talented, early 20th century weaver, Bertha Gray Hayes of Providence, Rhode Island. She designed and wove miniature overshot patterns for four-harness looms that are creative and unique. The book contains color reproductions of 72 original sample cards and 20 recently discovered patterns, many shown with a picture of the woven sample, and each with computer-generated drawdowns and drafting patterns. Her designs are unique in their asymmetry and personal in her use of name drafting to create the designs.

Bertha Hayes attended the first nine National Conferences of American Handweavers (1938-1946). She learned to weave by herself through the Shuttle-Craft home course and was a charter member of the Shuttle-Craft Guild, and authored articles on weaving.

This book features the original sample collection and handwritten drafts of the talented, early 20th century weaver, Bertha Gray Hayes of Providence, Rhode Island. She designed and wove miniature overshot patterns for four-harness looms that are creative and unique. The book contains color reproductions of 72 original sample cards and 20 recently discovered patterns, many shown with a picture of the woven sample, and each with computer-generated drawdowns and drafting patterns. Her designs are unique in their asymmetry and personal in her use of name drafting to create the designs.

Bertha Hayes attended the first nine National Conferences of American Handweavers (1938-1946). She learned to weave by herself through the Shuttle-Craft home course and was a charter member of the Shuttle-Craft Guild, and authored articles on weaving.

This book features the original sample collection and handwritten drafts of the talented, early 20th century weaver, Bertha Gray Hayes of Providence, Rhode Island. She designed and wove miniature overshot patterns for four-harness looms that are creative and unique. The book contains color reproductions of 72 original sample cards and 20 recently discovered patterns, many shown with a picture of the woven sample, and each with computer-generated drawdowns and drafting patterns. Her designs are unique in their asymmetry and personal in her use of name drafting to create the designs. Bertha Hayes attended the first nine National Conferences of American Handweavers (1938-1946). She learned to weave by herself through the Shuttle-Craft home course and was a charter member of the Shuttle-Craft Guild, and authored articles on weaving.

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desertcart is the best online shopping platform where you can buy Weaving Designs By Bertha Gray Hayes: Miniature Overshot Patterns Hardcover – April 28, 2009 from renowned brand(s). desertcart delivers the most unique and largest selection of products from across the world especially from the US, UK and India at best prices and the fastest delivery time.

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desertcart buys Weaving Designs By Bertha Gray Hayes: Miniature Overshot Patterns Hardcover – April 28, 2009 directly from the authorized agents and verifies the authenticity of all the products. We have a dedicated team who specialize in quality control and efficient delivery. We also provide a free 14 days return policy along with 24/7 customer support experience.

Yes, it is absolutely safe to buy Weaving Designs By Bertha Gray Hayes: Miniature Overshot Patterns Hardcover – April 28, 2009 from desertcart, which is a 100% legitimate site operating in 164 countries. Since 2014, desertcart has been delivering a wide range of products to customers and fulfilling their desires. You will find several positive reviews by desertcart customers on portals like Trustpilot, etc. The website uses an HTTPS system to safeguard all customers and protect financial details and transactions done online. The company uses the latest upgraded technologies and software systems to ensure a fair and safe shopping experience for all customers. Your details are highly secure and guarded by the company using encryption and other latest softwares and technologies.

Hardback. Condition: New. Language: English. Brand new Book. This book features the original sample collection and handwritten drafts of the talented, early 20th century weaver, Bertha Gray Hayes of Providence, Rhode Island. She designed and wove miniature overshot patterns for four-harness looms that are creative and unique. The book contains color reproductions of 72 original sample cards and 20 recently discovered patterns, many shown with a picture of the woven sample, and each with computer-generated drawdowns and drafting patterns. Her designs are unique in their asymmetry and personal in her use of name drafting to create the designs. Bertha Hayes attended the first nine National Conferences of American Handweavers (1938-1946). She learned to weave by herself through the Shuttle-Craft home course and was a charter member of the Shuttle-Craft Guild, and authored articles on weaving.