bertha gray hayes miniature overshot patterns quotation

This book features the original sample collection and handwritten drafts of the talented, early 20th century weaver, Bertha Gray Hayes of Providence, Rhode Island. She designed and wove miniature overshot patterns for four-harness looms that are creative and unique. The book contains color reproductions of 72 original sample cards and 20 recently discovered patterns, many shown with a picture of the woven sample, and each with computer-generated drawdowns and drafting patterns.

Her designs are unique in their asymmetry and personal in her use of name drafting to create the designs. Bertha Hayes attended the first nine National Conferences of American Handweavers (1938-1946). She learned to weave by herself through the Shuttle-Craft home course and was a charter member of the Shuttle-Craft Guild, and authored articles on weaving.

Features the original sample collection and handwritten drafts of the talented, early 20th century weaver, Bertha Gray Hayes of Providence, Rhode Island. She designed and wove miniature overshot patterns for four-harness looms that are creative and unique. The book contains color reproductions of 72 original sample cards and 20 recently discovered patterns, many shown with a picture of the woven sample, and each with computer-generated drawdowns and drafting patterns. Her designs are unique in their asymmetry and personal in her use of name drafting to create the designs. Bertha Hayes attended the first nine National Conferences of American Handweavers (1938-1946). She learned to weave by herself through the Shuttle-Craft home course and was a charter member of the Shuttle-Craft Guild, and authored articles on weaving.

This book features the original sample collection and handwritten drafts of the talented, early 20th century weaver, Bertha Gray Hayes of Providence, Rhode Island. She designed and wove miniature overshot patterns for four-harness looms that are creative and unique. The book contains color reproductions of 72 original sample cards and 20 recently discovered patterns, many shown with a picture of the woven sample, and each with computer-generated drawdowns and drafting patterns. Her designs are unique in their asymmetry and personal in her use of name drafting to create the designs. Bertha Hayes attended the first nine National Conferences of American Handweavers (1938-1946). She learned to weave by herself through the Shuttle-Craft home course and was a charter member of the Shuttle-Craft Guild, and authored articles on weaving.

This book features the original sample collection and handwritten drafts of the talented, early 20th century weaver, Bertha Gray Hayes of Providence, Rhode Island. She designed and wove miniature overshot patterns for four-harness looms that are creative and unique. The book contains color reproductions of 72 original sample cards and 20 recently discovered patterns, many shown with a picture of the woven sample, and each with computer-generated drawdowns and drafting patterns. Her designs are unique in their asymmetry and personal in her use of name drafting to create the designs.Bertha Hayes attended the first nine National Conferences of American Handweavers (1938-1946). She learned to weave by herself through the Shuttle-Craft home course and was a charter member of the Shuttle-Craft Guild, and authored articles on weaving.

This book features the original sample collection and handwritten drafts of the talented, early 20th century weaver, Bertha Gray Hayes of Providence, Rhode Island. She designed and wove miniature overshot patterns for four-harness looms that are creative and unique. The book contains color reproductions of 72 original sample cards and 20 recently discovered patterns, many shown with a picture of the woven sample, and each with computer-generated drawdowns and drafting patterns. Her designs are unique in their asymmetry and personal in her use of name drafting to create the designs. Bertha Hayes attended the first nine National Conferences of American Handweavers (1938-1946). She learned to weave by herself through the Shuttle-Craft home course and was a charter member of the Shuttle-Craft Guild, and authored articles on weaving.

Hardback. Condition: New. Language: English. Brand new Book. This book features the original sample collection and handwritten drafts of the talented, early 20th century weaver, Bertha Gray Hayes of Providence, Rhode Island. She designed and wove miniature overshot patterns for four-harness looms that are creative and unique. The book contains color reproductions of 72 original sample cards and 20 recently discovered patterns, many shown with a picture of the woven sample, and each with computer-generated drawdowns and drafting patterns. Her designs are unique in their asymmetry and personal in her use of name drafting to create the designs. Bertha Hayes attended the first nine National Conferences of American Handweavers (1938-1946). She learned to weave by herself through the Shuttle-Craft home course and was a charter member of the Shuttle-Craft Guild, and authored articles on weaving.

2020 update about Weaving Designs by Bertha Gray Hayes, or Bertha as we fondly call her: It has impressed the four authors with how popular this book has been, and continues to be. Partly this is witnessed by the royalties from sales that the Weavers Guild of RI receives biannually.

The most surprising occurrence happened a year ago. I received an email from a woman in Maine who had a used table loom I might want. She had tried to give it away in Maine, but no one was interested. My first impulse was to say thank you but I had no room in the school for another loom. Then I read her email more closely. She is the great granddaughter of Mrs. MacAllister, who was a good friend of Bertha’s. We quoted Mrs. MacAllister several times in our book.

By Norma Smayda, Gretchen White, Jody Brown, and Katharine Schelleng. These four weavers have assembled the sample collection of miniature overshot patterns for four harness looms created in the early 20th century by Bertha Gray Hayes. The book contains color reproductions and computer-generated drawdowns for 92 designs. These differ from traditional overshot designs in that they are often based on name drafts and many are not woven "as drawn in", giving many of them a dynamic, asymmetrical style.

The basics of rag rug weaving have remained the same over the years, but the materials, designs, weave patterns, and color combinations have changed significantly. Today"s weavers have access to an abundant array of warp and weft materials, with a wide variety of fiber content, color, and pattern. There are few-if any-limitations on what you might incorporate into your design: plastic shopping bags, bread wrappers, nylon stockings, and industrial castoffs have all been included.

In this book, you"ll find the old and the new, traditional designs and contemporary approaches. Starting with a basic, plain-weave rug, it describes the materials and tools you"ll need, how to prepare your warp and weft, how to dress the loom, and how to weave with a rag weft. Then you"ll learn how to make more complex designs: stripes and plaids, block patterns, reversible designs, inlay motifs, tufted weaves, and many other variations. Applications of surface design techniques, such as immersion dyeing, screen printing, and painting with textile inks, are also explored. In the chapter on design, you"ll be guided through the process of choosing colors and deciding upon compositions for your rugs. You"ll also find several options for finishing your rug, from traditional braided fringe to a crisp, clean Damascus edge.

This book features the original sample collection and handwritten drafts of the talented, early 20th century weaver, Bertha Gray Hayes of Providence, Rhode Island. She designed and wove miniature overshot patterns for four-harness looms that are creative and unique. The book contains color reproductions of 72 original sample cards and 20 recently discovered patterns, many shown with a picture of the woven sample, and each with computer-generated drawdowns and drafting patterns. Her designs are unique in their asymmetry and personal in her use of name drafting to create the designs.

Bertha Hayes attended the first nine National Conferences of American Handweavers (1938-1946). She learned to weave by herself through the Shuttle-Craft home course and was a charter member of the Shuttle-Craft Guild, and authored articles on weaving.

I have recently bought a wonderful book with a great story and some great overshot patterns. "Weaving Designs by Bertha Gray Hayes-Miniature Overshot Patterns".

I had been browsing through the book and found an overshot pattern that I really liked. It is called Jitterbug and originally had a 228 thread count repeat. This would be too wide for a scarf, so fortunately Bertha re configured many of the old overshot patterns into miniature. In her book is a 62 thread count repeat. I warped 2/10 mercerized cotton and will use lace weight Alpaca for the weft.

The book tells a great story of a women that lived in the early 1900"s. She lived through WW2 and some of her unique patterns depict those times (Victory). She designed patterns and named them after her friends (Peggy"s Choice). When she became terminally ill with stomach cancer she named a pattern (Gastric Ulcer). Even naming a pattern after the hospital she stayed in for her last 10 days (Miriam Hospital). The book goes on to tell her story and there is a picture in it of the participants at the National Conference of American Handweavers 1940. At the time the book was published no one could identify her, but I emailed the Rhode Island Weavers Guild to see if by any chance someone did identify her after the book was published and got a response back. So if you have this book on page 20 she is the woman 2nd in on the left of the 2nd row. Now we have a face to associate all those wonderful patterns to.

I"ve been wanting to weave a few rugs, but have been so indecisive with a pattern. I ultimately chose Trellis by Bertha Gray Hayes, but opted to weave it as summer & winter, using the overshot draft as a profile draft.

I used "Overshot for Rugs" by Tom Knisley as a guide and inspiration. For his rug, he used 8/4 cotton, doubled, in a 12 dent reed. I don"t have a 12 dent reed, so I sleyed 2 ends per dent in my 10 dent reed.

I had a few sleying & threading snags along to the way which might explain why I completely forgot to weave the "twill" border to the bottom of the rug. I put twill in quotes because what would"ve been a 6 thread twill border, when woven in overshot, now becomes 24 threads woven in 6 blocks in a converted draft.

Back to the rug. Always one to try several patterns on one warp, rug #2 was woven with doubled 8/4 cotton in Spanish Blue with a dark heather grey rug wool for pattern weft. I inverted the treadling for the blocks, ie.: 2-1-1-2 becomes 1-2-2-1 and 4-3-3-4 becomes 3-4-4-3 and so on.