overshot simply brands

Overshot is perhaps the most iconic weaving technique--think antique coverlets and fancy table runners--yet many weavers are intimidated by its complex-looking structure. But it doesn"t have to be difficult! In this book, Susan Kesler-Simpson makes overshot approachable by breaking it down piece by piece so that the weaver understands how it works, and then she puts it all back together so that weavers will have the confidence to make their own overshot patterns or to try any of the 38 overshot projects she has designed for the book.

"Susan’s explanations are to the point and easy to understand. When you read through the chapters, it’s as if Susan is sitting there with you, telling you in a friendly voice how to weave overshot step by step."--excerpt from the Foreword by Tom Knisely

Product InformationOvershot is perhaps the most iconic weaving technique--think antique coverlets and fancy table runners--yet many weavers are intimidated by its complex-looking structure. But it doesn"t have to be difficult In this book, Susan Kesler-Simpson makes overshot approachable by breaking it down piece by piece so that the weaver understands how it works, and then she puts it all back together so that weavers will have the confidence to make their own overshot patterns or to try any of the 38 overshot projects she has designed for the book. Weavers will learn: -to understand overshot as a derivative of twill -to understand the tie-up, placement of tabby in the tie-up, threading, and treadling -how to choose threads for overshot -how to use borders in your designs -how to set up the loom for overshot -how to work an overshot gamp Projects include: -Blankets -Shawls -Scarves -Christmas ornaments -Table runners -Placemats -Napkins -Others "Susan"s explanations are to the point and easy to understand. When you read through the chapters, it"s as if Susan is sitting there with you, telling you in a friendly voice how to weave overshot step by step."--excerpt from the Foreword by Tom Knisely

Overshot is perhaps the most iconic weaving technique--think antique coverlets and fancy table runners--yet many weavers are intimidated by its complex-looking structure. But it doesn"t have to be difficult! In this book, Susan Kesler-Simpson makes overshot approachable by breaking it down piece by piece so that the weaver understands how it works, and then she puts it all back together so that weavers will have the confidence to make their own overshot patterns or to try any of the 38 overshot projects she has designed for the book.

Have you ever been intimidated by the overshot weaving technique? This book will relieve your hesitations and misconceptions of a technique that looks more complicated than it actually is.

Author Kesler-Simpsonoffers an extensive discussion of the threading, treading and tie-ups for overshot, along with different ways to create borders and manage selvedges.

A not-so-recent pivot has occurred in the digital asset space. It’s no longer simply about assets. Instead, the focus has become what those assets are used for — namely, brand management.

But the aforementioned brand management pivot, while accurate, may have overshot and gone right to the top of the funnel for costly/beneficial assets while ignoring the masses. Having an incorrect logo or other inconsistent brand asset (image or font) is certainly costly, but it should not be the sole focus of digital assets and the entirety of their lifecycles.

Susan Kesler-Simpson, author of the popular Overshot Simply and Shadow Weave Simply, now explains Crackle Weave "simply." The areas of separating threads give Crackle Weave its appearance of cracking pottery, and once you see how the structure works, there is so much you can do with it!Learning is not complete without practice, so there are 25 patterns to try for a variety of pieces and both modern and traditional effects.

Finally, an easy explanation of Crackle Weave! Susan Kesler-Simpson, author of the popular Overshot Simply and Shadow Weave Simply, now explains Crackle Weave "simply." Her teaching style is to break down the weave structure into its basic parts so that it is easy to understand, and then teach you how the parts work together to create the weave structure so that you can use any pattern or create your own. The areas of separating threads give Crackle Weave its appearance of cracking pottery, and once you see how the structure works, there is so much you can do with it! Crackle weave is a block weave structure made up of four or more threading blocks that are based on the twill structure. Each block has four threads made up of two primary threads and two secondary threads. Incidental threads are added when needed to keep the proper twill sequencing. These blocks can be enlarged, reduced, or change location, allowing you to have a traditional or more modern approach to your project. And then there is color! Crackle Weave has many options for playing with colors; colors can be added through the warp, primary threads, and/or secondary threads. Learning is not complete without practice, so there are 25 patterns to try for a variety of pieces in both modern and traditional effects. The projects are simple enough for any beginning weaver, and include shawls, scarves, rugs, blankets, towels, and table runners. Some are woven in the traditional crackle method while others introduce weaving crackle as overshot, summer/winter, and more. Start your exploration of Crackle Weave today!

Susan Kesler-Simpson is passionate about fiber arts and breaking down complex weaving techniques so that even beginners can learn the basic concepts. She is the author of the successful Overshot Simply, Shadow Weave Simply, and Creative Treadling with Overshot, and has a B.S. and M.A. in Clothing, Textiles, and Design from the University of Nebraska. She enjoys teaching weaving and working in other crafts such as knitting, spinning, and crocheting. She resides in Danville, Pennsylvania.

Over three years ago, when my David Louet floor loom was still somewhat new to me, I wrotethis post on overshot. If you read it, you will discover that my initial relationship with overshot was not a very positive one.

The happy ending to the initial overshot sob story is that I can weave overshot now. Quite well, in fact! And I also teach it. And I happen to love it, very, very much. Don’t you love a happy ending?

I don’t think there was any particular moment where I thought to myself “I can weave overshot now!” I didn’t even weave any overshot for quite some time after that initial attempt. But slowly it tempted me back, and we started over. It was just a matter of sticking with it, employing some specific techniques and practice, practice, practice until it feels like an old friend.

My love of overshot has only increased with my more recent discovery of American Coverlets. I loved the look of the coverlets and the history behind them before I realised that so many of them were woven in the wonderfully humble 4 shaft overshot.

Now that I have quite a lot of experience weaving overshot, I want to share my best overshot tips with you in hope that you too will fall in love with this wonderful weave structure.

To weave overshot you need a warp yarn, a tabby yarn and a pattern weft yarn. Using the same yarn for warp and tabby works perfectly. For the pattern weft, I like to use a yarn that is twice the size of the tabby/warp yarn. I have experimented with using doubled strands of tabby/warp yarn in a contrasting colour, but it just doesn’t look as good. A thicker pattern yarn is the way to go.

What will the size of your item be? A miniature overshot pattern may get lost in a blanket, but may be perfect for a scarf. As a general rule, a good way to estimate the size of one repeat of your pattern just by looking at the draft is to see how many repeats are in one threading repeat. Also consider the thickness of your yarns and the sett you intend to weave.

This is a non negotiable for overshot if you want neat edges and less headaches! You get used to using floating selvedges very quickly, so don’t stress if you have no experience with them.

There are 6 treadles needed for overshot, even though you weave on 4 shafts. The two extra treadles are for the tabby weave. I always set up my pattern treadles in the centre of the loom – two on the left and two on the right. Then I set up a “left” tabby and a “right” tabby treadle. To do this on my 8 shaft loom I leave a gap between the pattern treadles and the tabby treadles so that my feet can “see” and differentiate between a pattern and tabby treadle.

I like to advance little and often. You will find your own preference or “sweet spot” for weaving, but I find that with overshot I advance a lot more frequently at a much smaller amount than I do usually.

An example of this is that I wove an overshot sampler right before Is started my main project (the throw). It was a narrow warp (around 8″) and a different overshot threading and treadling than I’m using for the project.

I personally do not use a temple. Some weavers will say they won’t weave without one. I’ve tried using a temple on many of my projects, particularly if I’m getting broken edge warp threads (signs of tension problems and too much draw in). But I will avoid using one wherever I can get away with it, and I don’t use one for weaving overshot.

Before we wrap up, there’s one issue worth mentioning. iMedia Brands currently has a debt-to-equity ratio of 157%. Generally, the rule of thumb is debt shouldn’t exceed 40% of your equity, which in this case, the company has significantly overshot. A higher level of debt requires more stringent capital management which increases the risk around investing in the loss-making company.

There are key fundamentals of iMedia Brands which are not covered in this article, but we must stress again that this is merely a basic overview. For a more comprehensive look at iMedia Brands, take a look at iMedia Brands" company page on Simply Wall St. We"ve also put together a list of important aspects you should further examine:Valuation: What is iMedia Brands worth today? Has the future growth potential already been factored into the price? The intrinsic value infographic in our free research report helps visualize whether iMedia Brands is currently mispriced by the market.

This article by Simply Wall St is general in nature. We provide commentary based on historical data and analyst forecasts only using an unbiased methodology and our articles are not intended to be financial advice. It does not constitute a recommendation to buy or sell any stock, and does not take account of your objectives, or your financial situation. We aim to bring you long-term focused analysis driven by fundamental data. Note that our analysis may not factor in the latest price-sensitive company announcements or qualitative material. Simply Wall St has no position in any stocks mentioned.

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Overshot is perhaps the most iconic weaving technique--think antique coverlets and fancy table runners--yet many weavers are intimidated by its complex-looking structure. But it doesn"t have to be difficult! In this book, Susan Kesler-Simpson makes overshot approachable by breaking it down piece by piece so that the weaver understands how it works, and then she puts it all back together so that weavers will have the confidence to make their own overshot patterns or to try any of the 38 overshot projects she has designed for the book.

"Susan’s explanations are to the point and easy to understand. When you read through the chapters, it’s as if Susan is sitting there with you, telling you in a friendly voice how to weave overshot step by step."--excerpt from the Foreword by Tom Knisely