what is overshot weaving price

Crazyshot - creative overshot weaving - introduces anyone who uses a rigid heddle loom to a whole world of creative weaving. Using just one heddle and one pick-up stick, you’ll explore color, design, and texture, taking your weaving to the next level. Complete step-by-step instructions are included for weaving all 14 designs in this book. Also provided are how-tos for the single heddle overshot technique, reading charts for the rigid heddle loom, and finishing techniques, along with lots of tips and tricks for successful and satisfying results. Complex patterning is easier than it looks with this simple charted technique. All you need are basic rigid heddle warping and weaving skills to start your next weaving adventure!

With one heddle and one stick, Myra Wood explores the art of working with ground and pattern wefts in this creative approach to rigid-heddle weaving. Known for her for colorwork across many mediums, Myra beautifully illustrates that complex does not have to be complicated. --Liz Gipson, Author ofA Weaver"s Guide to Yarnand other books for rigid-heddle weaving and the host of the Yarnworker School

From heirloom coverlets to dazzling contemporary household textiles and garments, overshot is one of the most handsome of weave structures. Whether woven in miniature on a towel or large-scale in a rug, overshot is striking. In this video, Madelyn van der Hoogt teaches everything you need to know to explore the many faces of overshot.

Along with Madelyn’s video workshop, this video download gives you a printable booklet on overshot weaving, complete with planning exercises, reference materials, and overshot projects you can learn from and use. Instantly download your copy of Weaving Overshot today!

This item is included in the Handwoven Library! View Overshot Pot Holders Weaving Pattern Download and hundreds of other resources included with Handwoven subscriptions.

If overshot intimidates you, these pot holders are a great way to start! Pot holders are a great format for overshot. One pattern repeat fits neatly into a pot holder"s size. Use them to decorate your kitchen- or as a perfect hostess gift. The fun part of weaving is to take an idea, try it out, and then do it your own way!

These bath towels are soft, absorbent, and inviting to the touch.Yarns Included:Monte Cristo 100% combed cotton (natural)and (2) cones of Aurora Earth 8/2100% unmercerized cotton (3 colors combinations are available; please select your color from dropdown list).Equipment needed:4 shaft loom, 30" weaving width; 10 dent reed and 2 shuttles.Finished size:two towels measures 25.5” x 46.5” each

"Thank you, Kelly, for providing this RHL Overshot Class. Because of all your videos, I have gone from newbie to being able to produce this beautiful scarf! I learned how to read a four shaft pattern draft and from that, warp and thread my loom. I learned how to manage more than one heddle and handle different combinations of them. It was also helpful to learn about floating selvedges. I will never do another project without them."

"I love learning new techniques. This was a fun one to learn. I appreciate your step-by-step instructions to help get me a solid foundation to start. I look forward to trying my hand at this beautiful scarf!"

"This was one of the best weaving courses I have taken on line. Your calm and slowly paced weaving videos are excellent. Very easy to follow. Also the feedback you give to questions is much appreciated and it always works. I like being able to go back an replay the videos as I progress to make sure I didn"t miss anything. Good job."

This is the section to explore the possibilities of overshot with many variations, test out your yarn and get some practice in weaving with this structure.

When we move on to the project there are 3 variations for threading so that you can choose the best method for the way YOU learn. The project is a stunning, iridescent and luxurious scarf that is a real head turner!

Kelly is a self taught weaver with a big passion for sharing the timeless art of weaving with others. Kelly is known for her calm and slow teaching style and she bases her classes on how she would have liked to have been taught. She designs all of her own projects and caters for levels from beginner to intermediate. Most available classes are for the rigid heddle loom, floor, table and inkle loom weaving.

How does lifetime access sound? After enrolling, you have unlimited access to this course for as long as you like - across any and all devices you own.

While it looks like it would be a very time-intensive and difficult technique to weave – it really isn’t! You just have to understand how and why it works the way it does. (We will get to that.)

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In its simplest form – overshot is a weaving technique that utilizes at least 2 different types of weft yarns and floats to create a pattern. These patterns are often heavily geometric.

Ground weft– plain weave pattern that is used between each row of your overshot pattern. This plain weave gives the textile structure and allows for large areas of overshot to be woven without creating an overly sleazy fabric. Without the use of a ground weft on an overshot pattern, the weaving would not hold together because there would not be enough warp and weft intersections to create a solid weaving.

They were most popular though in southern Appalachia and continued to be so even after textile technologies advanced. When other parts of colonial America moved to jacquard weaving, the weavers of southern Appalachia continued to weave their overshot coverlets by hand.

Since the overshot coverlets were most often woven at home on smaller looms they usually had a seam down the middle where two woven panels were sewn together.

The thing about overshot is that no matter the application, it is pretty impressive. Perhaps that is just my opinion, but due to how complex it can look, I feel that it is pretty safe to say.

Just because it was originally used for coverlets, does not mean it can only be used for coverlets. Changing aspects of the pattern like the colors used, or the way you use your ground weft can drastically change the look and feel of your weaving.

In the image below you can see the ground weft is not the same color throughout. Instead, I wove the ground weft as discontinuous so that I could add extra pattern and design into the weavings. In this case, you may be wondering how to deal with your weft yarns when they are in the middle of the weaving and not at the selvage.

The discontinuous weft yarns will float onto the back of the weaving until you are ready for them in their next pick. This does make your overshot weaving one sided since it will have vertical floats on the back. Keep this in mind if you want to try this technique out.

Also seen in the image above, the overshot yarn that I used was not all one color! This is a really simple way to get extra dimension and interest in your overshot if that is something you are looking for.

This makes it simple to be able to only weave overshot in certain parts of your weaving. If you want to do this then you can continue to weave your plain weave across the entire width of your weaving, but only weave overshot in specific areas. This creates a overshot section that functions similar to inlay.

Since the overshot pattern is strongly influenced by the weft yarns that are used it is important to choose the right yarns. Your weaving will be set up to the specification needed for a balanced plain weave. Make sure you understand EPI in order to get the right warp sett for your overshot weaving.

The ground weft used is almost always the same yarn as your warp. This allows the overshot weft to really be able to shine without contrasting warp and weft plain weave yarns.

In order to get the full effect of the overshot, it must be thick enough that when you are weaving your pattern it covers up the ground weft between each pass. If it is not thick enough to do this, it will still be overshot, but the full effect will not be seen.

What this warp thread does is serve as an all-purpose selvedge that does not correspond with your pattern. Instead, you would make sure to go around this warp thread every time to make sure that you are able to weave fully to the selvedge. Without this, your overshot weft will float awkwardly on the back of your weaving whenever the pattern does not take it to the edge.

I have mentioned this book multiple times because it really is such a great resource for any weaver looking to weave patterns of all types. It contains 23 pages of different overshot patterns (among so many other patterns) that you can set up on your floor or table loom.

Like a lot of different types of weaving, it is possible to do it on almost any type of loom that you have. The difference being that it might take you a little bit longer or require a bit more effort than if you did it on a traditional floor loom.

Weaving overshot on a frame loom or rigid heddle loom will require the use of string heddles and pick-up sticks that you have to manually use to create a shed.

This weaving kit includes all the yarns needed to weave these Contemporary Overshot Bath Towels that were designed by Margaret Gaynes for Handwoven"s Design Collection #18, pages 14-15.

Note:  yarns used in original design include 22/2 cottolin and Monte Cristo.Equipment needed:4 shaft loom, 30" weaving width; 10 dent reed and 2 shuttles.Finished sizetwo towels measures 25.5” x 46.5” eachInstructions needed:available from Long Thread Media for warping and weaving instructions.

Note:  This kit includes all yarns needed to weave these towels.  The pattern can be found in the Handwoven magazine noted above.  You will need to purchase this magazine if you don"t already own a copy.

Imagine being able to weave overshot along the length of your cloth with just one shuttle or being able to weave terry cloth towels for your bath. All this and more is possible on just four shafts by using a supplementary warp. Back by popular demand, this sought-after book hasn"t been available for a long time. The revised and expanded edition features nearly twice as many projects as the original book, with five all-new projects and a new weaving structure. Handweavers will learn weaving expert Deb Essen"s easy warping method, how to turn drafts for one-shuttle weaving, and Deb"s tips and techniques for warping a supplementary draft successfully. Once you have the warping down, weave any of the projects using the weave structures Deb teaches you. Each project explores a different supplemental warp structure, from turned overshot and monk"s belt to Bedford cord and even velvet. And no second back beam is required for your loom!

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After weaving the project samples for my book, I had a bit of an 8/4 cotton warp remaining on the loom. I perused my stack of Handwoven magazines and saved project files for some inspiration and decided upon weaving a little overshot on this remnant.

For the Non-Weavers - Overshot is a weaving technique. If you are familiar with Colonial coverlets, they were traditionally woven in overshot patterns. Here is a link with great photos Woven American Coverlets.

Unlike Krokbragd, a wealth of information exists on how to weave overshot. Just about any weaving book will contain at least a chapter on the topic, as well as there are videos, articles and countless published drafts.

Back to my little overshot project, I found my inspiration in the November/December 2017 issue of Handwovenin an article by Inga Marie Carmel entitled ‘Exploring Overshot’. The author chose a draft called Blossom, a Bertha Gray Hayes miniature overshot pattern.

Bertha Gray Hayes was an early 20th century weaver known for her miniature overshot and name draft designs. Miniature overshot pares down an established overshot pattern to its bare minimum while still maintaining the integrity of the pattern’s character. For more on the subject, check out Weaving Designs By Bertha Gray Hayes: Miniature Overshot Patterns by Norma Smayda, Gretchen White, Jody Brown, and Katharine Schelleng.

In Ms. Carmel’s sampler, she explored six different treadlings of the Blossom pattern. Since I had a much smaller warp, I had to do a bit of reworking in Weaveit (the weaving software program I use). I was only able to weave three of the six variations; the star and rose which are two of the basic overshot treadlings, and a variation referred to as “in the Scandinavian manner”.

Typical of overshot samplers and coverlets, the motifs are framed by a complementary border. If you compare my left selvedge with the right, you will notice that I did not quite work out the correct border. Although I’m not keen to sample, this certainly is a good example where sampling would be beneficial before committing to weaving the edited draft on a much larger project.

An interesting feature of overshot is that the reverse side is generally also equally attractive. I actually chose this reverse side as the “front” of my project.

As I said at the beginning of the post, the warp is 8/4 cotton, as is the tabby weft. The pattern weft is Borg’s 6/2 Tuna wool in the color Denim. I had to add a couple of ends to my warp for a total of 107 ends at 15 EPI (sleyed 2-1 in 10-dent reed). I used my typical method of throwing a few picks of fusible thread (see this post) as I planned to do a hemmed finish. In the end, I hemmed just one end and left the other to fringe. I wet finished the little piece of fabric and when it was almost dry, gave it a hard press.

To make my mini pouch, I folded the fabric and whipstitched the sides (no turned seam). I didn’t like the fringe, so I trimmed close to the fused thread and the cotton fuzzed into a cute edge. The finished size is 6 1/4” x 4 1/2” (folded); the perfect size for my reading glasses or phone. See that little button . . .