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Tongs - Power - As comparable to the popular 5-1/2" Eckel HSVS, the 5-1/2" Slide Head Vector Tong has all of the same internals, but considerable external improvements.

Tongs - Power - Farr KT5500 Tubing Power Tongs w/Jaw Die Power Tongs, 5-1/2" available with or without back-ups. KT5500 18K Tongs with hydraulic Clincher Back-up TORQUE TABLE Pressure H... More Info

Tongs - Power - McCoy KT8625 8-5/8" Casing Tong - 25K Tong Power Tongs - (Our KT7585 Model Is Being Rebadged as KT8625. There Have Been No Design Changes to this Tong, It Still Function... More Info

Tongs - Power - SNUBBING WORKOVER TUBING TONG, BY-DIRECTIONAL JAW SYSTEM, HIGH EFFICIENCY EATON MOTOR, 2WAY INDEPENDENT VALVE BODY, EXTENDED LEG - VARIABLE LENGTH CONFIGURATION, 2-3/8"- ... More Info

Tongs - Power - SNUBBING WORKOVER CASING - TUBING TONG, BY-DIRECTIONAL JAW SYSTEM, HIGH EFFICIENCY EATON MOTOR, 3WAY INDEPENDENT HANDLE VALVE BODY, SKID TYPE FRAME W/ 4 OPTIONAL BACKUP H... More Info

Texas International Oilfield Tools LTD. experience and knowledge is superior in Oilfield Drilling and Casing Tools. We strive for quality, excellence and your satisfaction. We are conveniently located in the hub of the oil industry in Houston, Texas; close to the airport, shipping yards and freight companies.

The KT13625 casing tong can handle tubulars as small as 3-1/2″ and as large as 13-5/8″ in diameter. Wraparound jaw and die technology for the two tong jaws is available. Tong can be mounted on either a CLINCHER® or a FARR hydraulic backup. Available with McCoy’s patented WinCatt® data acquisition and torque control system for the make-up of tubular connections.

When applications demand a wide range of sizes, the 7⅝ Standard tong handles tublar sizes 2-1/16 inches to 7⅝. Its rugged design upon knowledge gained from the 5½ model and combining an extremely compact, high torque concept with added versatility. Options include either manual backup or Tri-Grip® backup. Available torque: 15,000 ft-lb

The Tri-Grip® Backup is industry standard for reliable make-up and break-out of tubular connections that are optionally supplied with Eckel tongs. Utilizing two hydraulic cylinders and a three head arrangement ensures a slip-free operation. The backup is suspended at an adjustable level below the power tong employing three hanger legs and allows the backup to remain stationary while the power tong moves vertically to compensate for the connection"s thread travel. The Tri-Grip® uses two pivoting heads and one stationary. The Eckel Tri-Grip® Backup has exceptional gripping capabilities with Rig Dies when running drill pipe or optional Eckel Wrap-Around True-Grit® dies or Pyramid Fine Tooth dies for making up other types of tubular.

When application demand a wide range of sizes, this tong handles pipe sizes 2⅜ inches all the way to 7⅝. The 7⅝ HDS-25 uses a two-speed mechanical shift transmission in conjunction with the two-speed Hydra-Shift® motor, providing the operator a very flexible choice of working torque/RPMs during makeup or breakout. Our patent-pending CASE STIFFENER technology enhances overall torque to provide consistent torque output. Having a high full 360° rotational torque and speed-shifting capability ensures the tong can makeup special torque-turn connections that require continuous rotation. Also, the CASE STIFFENER technology reduces stress and wear on the rotary gear teeth.

7⅝ HDS CHROMEBOSS®: The 7⅝ HDS comes standard with pivot style heads; however, upon ordering can be supplied with slide-heads which is designated as 7⅝ HDS. The 7⅝ HDS is part of our CHROMEBOSS® series of tongs that is suitable for running corrosion-resistant alloy (CRA) tubulars. Two slide heads in the tong provide a consistent radial load on the tubular, reduced tubular deformation, and when combined with our pyramid fine tooth or True-GritTM wrap-around dies provides excellent gripping capabilities on corrosion-resistant alloy (CRA).

The Tri-Grip® Backup is the industry standard for reliable make-up and break-out of tubular connections that are optionally supplied with Eckel tongs. Utilizing two hydraulic cylinders and a three head arrangement ensures a slip-free operation. The backup is suspended at an adjustable level below the power tong employing three hanger legs and allows the backup to remain stationary while the power tong moves vertically to compensate for the connection"s thread travel. The Tri-Grip® uses two pivoting heads and one stationary. The Eckel Tri-Grip® Backup has exceptional gripping capabilities with Rig Dies when running drill pipe or optional Eckel Wrap-Around True-Grit® dies or Pyramid Fine Tooth dies for making up other types of tubular.

The Masters Golf Tournament is in full swing. The official web site for the prestigious event has a lot to offer. There you will find a list of green packet winners going back to 1934. There"s also up-to-the-minute tournament news, player biographies and of course the leaderboard standings.

The latest trend in commercial web sites is offering users something that has little to do with the product being advertised. 7-UP isn"t just promoting its soft drink on its web site. It"s also posting summer jobs for young people interested in the music business. Thousands of applications were received in the first week.

More goals in the second half would have been nice as goal difference might yet come into play at some point this season, but the only real negative was Virgil van Dijk being forced off with a rib injury. It is not thought to be serious, but with some huge games coming up, it could not have come at a worse time.

Jurgen Klopp, 9 -- Shuffled his pack by bringing in Shaqiri and Joel Matip for their first starts of the season. Those decisions paid off as Shaqiri created two goals while Matip scored one. It was somewhat surprising to see Shaqiri withdrawn at half-time but he will presumably be a key player in Wednesday"s Carabao Cup clash with Chelsea so the early departure should see him nice and fresh for that.

GK Alisson Becker, 7 -- Didn"t have to make his first save until the 91st minute when he made a decent stop to deny substitute Charlie Austin. Showed again that he has learned from his mistake at Leicester by taking no risks with the ball at his feet.

DF Trent Alexander-Arnold, 7 -- Mature display from the youngster. Excellent in possession and produced some quality deliveries into the box. Had very little to do defensively.

DF Andrew Robertson, 7 -- Typically strong performance from the energetic Scot. Good in possession, worked up and down the line tirelessly and came out on top in his battle with the lively Nathan Redmond. Almost scored at the Kop end late on but couldn"t keep his shot down.

MF Jordan Henderson, 7 -- Ran the game from the middle of the park. Passed it well, took up excellent positions with and without the ball and helped his side win possession back on countless occasions.

MF Georginio Wijnaldum, 7 -- Another good performance from the classy midfielder who impressed once again before making way for Naby Keita midway through the first half.

FW Mohamed Salah, 7 -- It was threatening to be another frustrating day for Salah when a couple of early chances went begging, but his ability to sniff out rebounds saw him eventually claim the goal all of Anfield was desperate for him to score. Looked more like his old self in the second half. Didn"t add to his goal tally, but there were signs that the front three are beginning to click into gear again.

FW Robert Firmino, 7 -- Sacrificed himself for the team by playing on the left for the first half to allow Salah to be employed centrally. Moved back into the middle after the break and linked well with Salah in particular, but looked very tired toward the end and may well be rested in midweek against Chelsea, particularly with Daniel Sturridge waiting in the wings and in good form.

FW Sadio Mane, 7 -- Decent performance against his former club. Not at his brilliant best but was always a creative force. Started the game on the right but was more effective after the break when he reverted to his usual left wing spot and linked well with Robertson.

Jiang QingMadame Mao, was a Chinese communist revolutionary, actress, and major political figure during the Cultural Revolution (1966–1976). She was the fourth wife of Mao Zedong, the Chairman of the Communist Party and Paramount leader of China. She used the stage name Lan Ping (藍蘋) during her acting career (which ended in 1938), and was known by many other names. Jiang was best known for playing a major role in the Cultural Revolution and for forming the radical political alliance known as the "Gang of Four".

Jiang married Mao in Yan"an in November 1938 and served as the inaugural "First Lady" of the People"s Republic of China. She served as Mao"s personal secretary in the 1940s and was head of the Film Section of the Communist Party"s Propaganda Department in the 1950s. Jiang served as an important emissary for Mao in the early stages of the Cultural Revolution. In 1966, she was appointed deputy director of the Central Cultural Revolution Group. She collaborated with Lin Biao to advance Mao"s unique brand of Communist ideology as well as Mao"s cult of personality. At the height of the Cultural Revolution, Jiang held significant influence in the affairs of state, particularly in the realm of culture and the arts, and was idolized in propaganda posters as the "Great Flagbearer of the Proletarian Revolution". In 1969, Jiang gained a seat on the Politburo. Before Mao"s death, the Gang of Four controlled many of China"s political institutions, including the media and propaganda. However, Jiang, deriving most of her political legitimacy from Mao, often found herself at odds with other top leaders.

Mao"s death in 1976 dealt a significant blow to Jiang"s political fortunes. She was arrested in October 1976 by Hua Guofeng and his allies, and was subsequently condemned by party authorities. Since then, Jiang has been officially branded as having been part of the "Lin Biao and Jiang Qing Counter-Revolutionary Cliques"林彪江青反革命集团), to which most of the blame for the damage and devastation caused by the Cultural Revolution was assigned. Though she was initially sentenced to death, her sentence was commuted to life imprisonment in 1983. After being released for medical treatment, Jiang died by suicide in May 1991.

When Jiang enrolled in elementary school, she took the name Li Yunhe (李雲鶴), meaning "Crane in the Clouds", by which she was known for much of her early life. Due to her socioeconomic status and the fact that she was an illegitimate child, she was looked down upon by her schoolmates and she and her mother moved in with her maternal grandparents when she started middle school.Tianjin where Jiang worked as a child laborer in a cigarette factory for several months. Two years later, Jiang and her mother settled in Jinan. The following summer, she entered an experimental theater and drama school. Her talent brought her to the attention of administrators who selected her to join a drama club in Beijing where she advanced her acting skills. She returned to Jinan in May 1931 and married Pei Minglun,

With her career established, she became involved with actor/director Tang Na, with whom she appeared in Scenes of City Life and Goddess of Freedom. They were married in Hangzhou in March 1936; however, he soon discovered she was continuing her relationship with Yu Qiwei. The scandal became public knowledge and he made two suicide attempts before their divorce became final. In 1937, Jiang joined the Lianhua Film Company and starred in the drama Big Thunderstorm (大雷雨). She reportedly had an affair with director, Zhang Min; however, she denied it in her autobiographical writings.

In 1967, at the beginning of China"s Great Proletarian Cultural Revolution, Jiang declared eight works of performance art to be the new models for proletarian literature and art.revolutionary operas", were designed to glorify Mao Zedong, The People"s Liberation Army, and the revolutionary struggles. The ballets White-Haired Girl,Richard Nixon"s famous visit to China in February 1972, he watched Red Detachment of Women, and was impressed by the opera. He famously asked Jiang who the writer, director, and composer were, to which she replied it was "created by the masses."

Following the Marco Polo Bridge Incident on 7 July 1937, and the Japanese invasion of Shanghai, which destroyed most of its movie industry, Jiang left her celebrity life on the stage behind. She went first to Xi"an, then to the Chinese Communist headquarters in Yan"an to "join the revolution" and the war to resist the Japanese invasion. In November, she enrolled in the "Counter-Japanese Military and Political University" (Marxist–Leninist Institute) for study. The Lu Xun Academy of Arts was newly founded in Yan"an on 10 April 1938, and Jiang became a drama department instructor, teaching and performing in college plays and operas.

After the founding of the People"s Republic of China in 1949, Jiang became the nation"s first lady. She worked as Director of Film in the Central Propaganda Department, and as a member of the Ministry of Culture steering committee for the film industry. An uproar in 1950 led to the investigation of

Following the Great Leap Forward (1958–61), Mao was highly criticized within the CPC, and turned to Jiang, among others, to support him and persecute his enemies. After Mao wrote a pamphlet questioning the persistence of "feudal and bourgeois" traditional opera, Jiang took this as a license to systematically purge Chinese media and literature of everything but political propaganda. The result ended up being a near-total suppression of all creative works in China aside from rigidly-prescribed "revolutionary" material.

Backed by her husband, she was appointed deputy director of the Central Cultural Revolution Group (CCRG) in 1966 and emerged as a serious political figure in the summer of that year. At the 9th Party Congress in April 1969, she was elevated to the Politburo. By then, she had established a close political working relationship with the other members of what later became known as the Gang of Four: Zhang Chunqiao, Yao Wenyuan and Wang Hongwen. She was one of the most powerful and controversial figures in China during Mao"s last years.

With time, Jiang began playing an increasingly active political role in the movement. She took part in most important Party and government activities. She was supported by a radical coterie, dubbed, by Mao himself, the Gang of Four. Although a prominent member of the Central Cultural Revolution Group and a major player in Chinese politics from 1966 to 1976, she essentially remained on the sidelines.

The initial storm of the Cultural Revolution came to an end when President Liu Shaoqi was forced from all his posts on 13 October 1968. Lin Biao now became Mao"s designated successor. Chairman Mao now gave his support to the Gang of Four. These four radicals occupied powerful positions in the Politburo after the Tenth Party Congress of 1973.

Jiang also directed operas and ballets with communist and revolutionary content as part of an effort to transform China"s culture. She dominated the Chinese arts, and in particular attempted to reform the Beijing Opera. She developed a new form of art called the Eight model plays or "revolutionary opera" which depicted the world in simple, binary terms: the positive characters ("good guys") were predominantly farmers, workers and revolutionary soldiers, whilst the negative characters ("bad guys") were landlords and anti-revolutionaries. The negative characters, in contrast to their proletarian foils who performed boldly center stage, were identifiable by their darker make-up and relegation to the outskirts of the stage until direct conflict with a positive character.

Jiang first collaborated with then second-in-charge Lin Biao, but after Lin Biao"s death in 1971, she turned against him publicly in the Criticize Lin, Criticize Confucius Campaign. By the mid 1970s, Jiang also spearheaded the campaign against Deng Xiaoping (afterwards saying that this was inspired by Mao). The Chinese public became intensely discontented at this time and chose to blame Jiang, a more accessible and easier target than Chairman Mao.

It was reported that Mao Tsetung and Chiang Ching were separated in 1973. Most people, however, did not know this. Hence Chiang Ching was still able to use her position as Mao"s wife to deceive people. Because of her relations to Mao, it was particularly difficult for the Party to deal with her.

When Philippines president Ferdinand Marcos and his wife Imelda visited China in 1974, Jiang was said to be "extremely jealous" of the latter"s flashy clothing, hair, and makeup.

Jiang"s rivalry with, and personal dislike of, Zhou Enlai led Jiang to hurt Zhou where he was most vulnerable. In 1968, Jiang had Zhou"s adopted son (Sun Yang) and daughter (Sun Weishi) tortured and murdered by Red Guards. Sun Yang was murdered in the basement of Renmin University. After Sun Weishi died following seven months of torture in a secret prison (at Jiang"s direction), Jiang made sure that Sun"s body was cremated and disposed of so that no autopsy could be performed and Sun"s family could not have her ashes. In 1968, Jiang forced Zhou to sign an arrest warrant for his own brother. In 1973 and 1974, Jiang directed the "Criticize Lin, Criticize Confucius" campaign against premier Zhou because Zhou was viewed as one of Jiang"s primary political opponents. In 1975, Jiang initiated a campaign named "Criticizing Song Jiang, Evaluating the Water Margin", which encouraged the use of Zhou as an example of a political loser. After Zhou Enlai died in 1976, Jiang initiated the "Five Nos" campaign in order to discourage and prohibit any public mourning for Zhou.

On 5 September 1976, Mao"s failing health turned critical when he suffered a heart attack, far more serious than his previous two earlier in the year.

Mao"s death occurred just after midnight at 00:10 hours on 9 September 1976. Mao"s chosen successor, Hua Guofeng, became the chairman of his funeral committee. It was believed Hua was a compromise candidate between the free-marketeers and the party orthodox. Some argue this may have been due to his ambivalence and his low-key profile, particularly compared to Deng Xiaoping, the preferred candidate of the market-oriented factions. The party apparatus, under orders from Jiang and Zhang Chunqiao, wrote a eulogy affirming Mao"s achievements in order to justify their claims to power.

By this time, state media was effectively under the control of the Gang of Four. State newspapers continued to denounce Deng shortly after Mao"s death. Jiang was little-concerned about the weak Hua Guofeng, but she feared Deng Xiaoping greatly. In numerous documents published in the 1970s, it was claimed that Jiang was conspiring to make herself the new Chairman of the Communist Party.

Jiang showed few signs of sorrow during the days following Mao"s death. It was uncertain who controlled the Communist Party"s central organs during this transition period. Hua Guofeng, as Mao"s designated successor, held the titular power as the acting Chairman of the Communist Party and as Premier. However, Hua was not very influential. Some sources indicate that Mao mentioned Jiang Qing before his death in a note to Hua Guofeng, telling him to "go and consult her" if he runs into problems (Chinese: 有事找江青).

Jiang believed that upholding the status quo, where she was one of the highest-ranked members of the central authorities, would mean that she would effectively hold on to power. In addition, she believed that her status as Mao"s widow would make it difficult for her to be removed. She continued to invoke Mao"s name in her major decisions, and acted as first-in-charge.

On the morning of 6 October 1976, Jiang came to Mao"s former residence in Zhongnanhai, gathered her close aides and Mao"s former personal aides in a "Study Mao"s Work" session. According to Du Xiuxian, her photographer, Jiang remarked that she knew people within the Central Committee were plotting against her.

After the session, Jiang took several aides to Jingshan Park to pick apples. In the evening, Jiang, Zhang Chunqiao, Wang Hongwen, and Yao Wenyuan were brutally beaten, arrested and kept in the lower level of Zhongnanhai where they were starved, tortured and interrogated. According to Zhang Yaoci, who carried out the arrest, Jiang did not say much when she was arrested. It was reported that one of her servants spat at her as she was being taken away under a flurry of blows by onlookers and police.bloodless coup d"état, the Gang of Four were charged with attempts to seize power by organizing militant coups in Shanghai and Beijing, subverting the government, counter-revolutionary activity, and treason.

Portions of the 20,000-word indictment were printed in China"s press before the trial started; they accused the defendants of a host of heinous crimes that took place during the Cultural Revolution. The charges specify that 727,420 Chinese were "persecuted" during that period, and that 34,274 died, though the often vague indictment did not specify exactly how. Among the chief victims: one-time President Liu Shaoqi"s widow Wang Guangmei, herself imprisoned during the Cultural Revolution for 12 years, attended the trial as an observer.

The indictment described two plots by the "Jiang Qing-Lin Biao Counter-revolutionary Clique" to seize power. Jiang was not accused of conspiring with Lin Biao, or with other members of the Gang of Four who allegedly planned an armed rebellion to "usurp power" in 1976, when Mao was close to death. Instead, the charges against her focused on her systematic persecution of creative artists during the Cultural Revolution. Amongst other things, she was accused of hiring 40 people in Shanghai to disguise themselves as Red Guards and ransack the homes of writers and performers. The apparent purpose was said to find and destroy letters, photos and other potentially damaging materials on Jiang"s early career in Shanghai, which she wanted to keep secret.

At the hospital, Jiang used the name Lǐ Rùnqīng (李润青). She died by suicide on 14 May 1991, at the age of 77, by hanging herself in a bathroom of her hospital. She penned a suicide note reading, "Today the revolution has been stolen by the revisionist clique of Deng, Peng Zhen, and Yang Shangkun. Chairman Mao exterminated Liu Shaoqi, but not Deng, and the result of this omission is that unending evils have been unleashed on the Chinese people and nation. Chairman, your student and fighter is coming to see you!"Cultural Revolution.

A Great Trial in Chinese History – the Trial of the Lin Biao and Jiang Qing Counter-Revolutionary Cliques, Beijing/Oxford: New World Press/Pergamon Press, 1981, p. title, ISBN 0-08-027918-X

Hsin, Chi (1977). The Case of the Gang of Four: With First Translation of Teng Hsiao-Ping"s Three Poisonous Weeds. Cosmos Books, Ltd. p. 19. ASIN B000OLUOE2.

Teiwes, Frederick C.; Sun, Warren (2004). "The First Tiananmen Incident Revisited: Elite Politics and Crisis Management at the End of the Maoist Era". Pacific Affairs. 77 (2): 211–235 (213). JSTOR 40022499.

"Communist Party History: Memoirs of Jiang Qing on 6 October 1976". Cpc.people.com.cn. Archived from the original on 26 February 2012. Retrieved 13 December 2012.

Our power tongs are built to last. With 2 motor options for the 9-7/8” hydraulic power tong, you crew can reach rated torque at 2,500 psi. Which means, the tools can reach 40,000 ft-lb or 60,000 ft-lb of torque on every single joint, every day.

With an investment like this, you don’t want one malfunctioning part to be the reason why your equipment isn’t performing. That’s why we build our tongs to be serviceable, high in quality. By using an ISO 9001:2015 quality system, we maintain a close eye on our products.

When the Washington Post unveiled the slogan “Democracy Dies in Darkness,” on February 17, 2017, people in the news business made fun of it. “Sounds like the next Batman movie,” the New York Times’ executive editor, Dean Baquet, said. But it was already clear, less than a month into the Trump Administration, that destroying the credibility of the mainstream press was a White House priority, and that this would include an unabashed, and almost gleeful, policy of lying and denying. The Post kept track of the lies. The paper calculated that by the end of his term the President had lied 30,573 times.

The press wasn’t silenced in the Trump years. The press was discredited, at least among Trump supporters, and that worked just as well. It was censorship by other means. Back in 1976, even after Vietnam and Watergate, seventy-two per cent of the public said they trusted the news media. Today, the figure is thirty-four per cent. Among Republicans, it’s fourteen per cent. If “Democracy Dies in Darkness” seemed a little alarmist in 2017, the storming of the Capitol on January 6, 2021, made it seem prescient. Democracy really was at stake.

That we need a free press for our democracy to work is a belief as old as our democracy. Hence the First Amendment. Without the free circulation of information and opinion, voters will be operating in ignorance when they choose whom to vote for and what policies to support. But what if the information is bad? What if you can’t trust the reporter? What if there’s no such thing as “the facts”?

As Michael Schudson pointed out in “Discovering the News” (1978), the notion that good journalism is “objective”—that is, nonpartisan and unopinionated—emerged only around the start of the twentieth century. Schudson thought that it arose as a response to growing skepticism about the whole idea of stable and reliable truths. The standard of objectivity, as he put it, “was not the final expression of a belief in facts but the assertion of a method designed for a world in which even facts could not be trusted. . . . Journalists came to believe in objectivity, to the extent that they did, because they wanted to, needed to, were forced by ordinary human aspiration to seek escape from their own deep convictions of doubt and drift.” In other words, objectivity was a problematic concept from the start.

So why didn’t they report what they knew? McGarr, a historian at the University of Wisconsin-Madison, thinks it’s because the people who covered Washington for the wire services and the major dailies had an ideology. They were liberal internationalists. Until the United States intervened militarily in Vietnam—the Marines waded ashore there in 1965—that was the ideology of American élites. Like the government, and like the leaders of philanthropies such as the Ford Foundation and cultural institutions such as the Museum of Modern Art, newspaper people believed in what they saw as the central mission of Cold War policy: the defense of the North Atlantic community of nations. They supported policies that protected and promoted the liberal values in the name of which the United States had gone to war against Hitler.Cartoon by Jerald Lewis

There was another reason for caution: fear of nuclear war. After the Soviets developed an atomic weapon, in 1949, and until the Test Ban Treaty of 1963, end-of-the-world nuclear anxiety was widespread, and newsmen shared it. The Cold War was a balance-of-power war. That’s what the unofficial doctrine of the American government, “containment,” meant: keep things as they are. Whatever tipped the scale in the wrong direction might unleash the bomb, and so newspapers were careful about what they published.